King Stephen ordered the building of a castle at Moson to defend the border in the early 11th century. Settlers flocked around the wooden and then stone castle, and by the 11th century it was described as a strong fortress and bustling merchant town. However, in 1030, the Holy Roman Emperor Conrad II was able to conquer the castle on his way to the Rába. During the Crusades, Kálmán, King of Győr and Moson, was able to defeat a Swabian-Bavarian army of 15,000 men from the castle. The next disaster occured in 1271, when Ottokar II, a Czech king, leveled the castle.
Béla IV, King of Hungary at the time, did not consider it worthwhile to try and rebuild the castle at Moson. After the fall of Győr to the Ottoman army in 1594, the castle was modernized to withstand a possible future attack by Italian engineers.
In 1683, the new castle was helpless against the retreating Turkish army, which had been repulsed again at Vienna. Both Moson and Magyaróvár were set ablaze. Though the town archives were now completely destroyed, the damage was repaired more quickly this time around, at least quickly enough to allow Rákóczi to use the castle as a base during his war for independence from the Habsburgs. In 1721, after the revolution was crushed, the castle at Magyaróvár lost its strategic importance, and all military materiel was transferred to Bratislava.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.