Devín Castle is a national cultural monument of Slovakia and one of the oldest fortifications in the country. Owing to its strategic position, the cliff (altitude of 212 meters) at the confluence of the Danube and Morava rivers was an ideal place for a fort. Its owner could control the important trade route along the Danube as well as one branch of the Amber Road. That is why the site has been settled since the Neolithic and fortified since the Bronze and Iron Age.
Devín castle likely is first mentioned in written sources in 864, when Louis the German besieged Prince Rastislav in one of the frequent wars between the Franks and Great Moravia respectively in the 'castle of Dowina'. During the Moravian period, a Christian church had been built in the complex.
In the 13th century, a stone castle was built to protect the western frontier of the Hungarian Kingdom whose existence was documented in 1271 and a reference to a castelanus de Devin appeared in 1326. Between 1301 and 1323, the castle was held by the Dukes of Austria who granted it to Otto von Tellesbrunn. In 1323, the dukes transferred Pozsony county back to King Charles I of Hungary and Devín Castle became the possession of the heads (ispáns) of the county. In 1385, the castle was occupied by Margrave Jobst of Moravia who held it until 1390 when King Sigismund of Hungary redeemed it and gave it to duke Stibor of Stiboricz. After that, the king mortgaged Devín Castle to an Austrian knight, Lessel Hering who transferred the castle to Nicholas II Garay (the Palatine of the kingdom) in 1414. Around 1444, King Frederick IV of Germany occupied the castle but he granted it to Ladislaus II Garay already in 1450.
A palace was added in the 15th century. Fortification was reinforced during wars against the Ottoman Empire. The Castle was never taken, but after the Hungarian Kingdom joined the Habsburg Monarchy and the Ottomans were finally defeated, it ceased to be an important border fortress and was no longer used by the military. Stephen Báthory got the castle by the king as a donation. But according to Stephen Báthory was Keglević the owner of the castle. Keglević pawned the castle for 40,000 guilders to the Palocsai family and spent the money. In 1609, Matthias II confirmed that Keglević still was the owner of the castle, but Keglević did not have the money to take the castle out of pledge from the Palocsai family. Nearly 100 years later in 1635 Palatine Pál Pálffy took the castle out of pledge from the Palocsai family. The last owners of the Devín Castle were the Counts of the Pálffy family. Only in 1809, after the Siege of Pressburg, was the castle (still considered a threat) destroyed by the retreating forces of Napoleon I of France. Napoleon and Leopold Pálffy negotiated then and they both agreed that Vienna is supplied with products by Pálffy.
Since the 19th century as its history inspired several Romantic poets, followers of Ľudovít Štúr, Devín has become an important national symbol for the Slovaks. It featured both on the reverse of the former 500 Czechoslovak koruna banknote and the 50 Halierov coin of the Slovak currency.
The castle stands just inside Slovak territory on the frontier between Slovakia (previously part of Czechoslovakia) and Austria. The border runs from west to east along the Morava River and subsequently the Danube. Prior to 1989, the Iron Curtain between the Eastern Bloc and the West ran just in front of the castle. Although the castle was open to the public, the area surrounding it constituted a restricted military zone, and was heavily fortified with watchtowers and barbed wire. After the Velvet Revolution the area was demilitarised.
The most photogenic part of the castle is the tiny watchtower, known as the Maiden Tower. Separated from the main castle, it balances perilously on a lone rock and has spawned countless legends concerning imprisoned lovelorn daughters leaping to their deaths.
Inside, the castle is a sprawling landscape of walls, staircases, open courtyards and gardens in various states of repair. They are all, however, made readily accessible by a continuing restoration and archaeological project conducted since the borough of Devín was reclaimed from Nazi Germany which had annexed it shortly before World War II.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.