Devín Castle is a national cultural monument of Slovakia and one of the oldest fortifications in the country. Owing to its strategic position, the cliff (altitude of 212 meters) at the confluence of the Danube and Morava rivers was an ideal place for a fort. Its owner could control the important trade route along the Danube as well as one branch of the Amber Road. That is why the site has been settled since the Neolithic and fortified since the Bronze and Iron Age.
Devín castle likely is first mentioned in written sources in 864, when Louis the German besieged Prince Rastislav in one of the frequent wars between the Franks and Great Moravia respectively in the 'castle of Dowina'. During the Moravian period, a Christian church had been built in the complex.
In the 13th century, a stone castle was built to protect the western frontier of the Hungarian Kingdom whose existence was documented in 1271 and a reference to a castelanus de Devin appeared in 1326. Between 1301 and 1323, the castle was held by the Dukes of Austria who granted it to Otto von Tellesbrunn. In 1323, the dukes transferred Pozsony county back to King Charles I of Hungary and Devín Castle became the possession of the heads (ispáns) of the county. In 1385, the castle was occupied by Margrave Jobst of Moravia who held it until 1390 when King Sigismund of Hungary redeemed it and gave it to duke Stibor of Stiboricz. After that, the king mortgaged Devín Castle to an Austrian knight, Lessel Hering who transferred the castle to Nicholas II Garay (the Palatine of the kingdom) in 1414. Around 1444, King Frederick IV of Germany occupied the castle but he granted it to Ladislaus II Garay already in 1450.
A palace was added in the 15th century. Fortification was reinforced during wars against the Ottoman Empire. The Castle was never taken, but after the Hungarian Kingdom joined the Habsburg Monarchy and the Ottomans were finally defeated, it ceased to be an important border fortress and was no longer used by the military. Stephen Báthory got the castle by the king as a donation. But according to Stephen Báthory was Keglević the owner of the castle. Keglević pawned the castle for 40,000 guilders to the Palocsai family and spent the money. In 1609, Matthias II confirmed that Keglević still was the owner of the castle, but Keglević did not have the money to take the castle out of pledge from the Palocsai family. Nearly 100 years later in 1635 Palatine Pál Pálffy took the castle out of pledge from the Palocsai family. The last owners of the Devín Castle were the Counts of the Pálffy family. Only in 1809, after the Siege of Pressburg, was the castle (still considered a threat) destroyed by the retreating forces of Napoleon I of France. Napoleon and Leopold Pálffy negotiated then and they both agreed that Vienna is supplied with products by Pálffy.
Since the 19th century as its history inspired several Romantic poets, followers of Ľudovít Štúr, Devín has become an important national symbol for the Slovaks. It featured both on the reverse of the former 500 Czechoslovak koruna banknote and the 50 Halierov coin of the Slovak currency.
The castle stands just inside Slovak territory on the frontier between Slovakia (previously part of Czechoslovakia) and Austria. The border runs from west to east along the Morava River and subsequently the Danube. Prior to 1989, the Iron Curtain between the Eastern Bloc and the West ran just in front of the castle. Although the castle was open to the public, the area surrounding it constituted a restricted military zone, and was heavily fortified with watchtowers and barbed wire. After the Velvet Revolution the area was demilitarised.
The most photogenic part of the castle is the tiny watchtower, known as the Maiden Tower. Separated from the main castle, it balances perilously on a lone rock and has spawned countless legends concerning imprisoned lovelorn daughters leaping to their deaths.
Inside, the castle is a sprawling landscape of walls, staircases, open courtyards and gardens in various states of repair. They are all, however, made readily accessible by a continuing restoration and archaeological project conducted since the borough of Devín was reclaimed from Nazi Germany which had annexed it shortly before World War II.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.