Bratislava Castle has been a dominant feature of the city for centuries and it is the national monument of Slovakia. The castle, like today's city, has been inhabited for thousands of years, because it is strategically located in the center of Europe at a passage between the Carpathians and the Alps and at an important ford used to cross the Danube river.
The people of the Boleráz culture were the first known culture to have constructed settlements on the castle hill around 3500 BC. Further major findings from the castle hill are from the Hallstatt Period (750–450 BC). During the La Tène Period (450 to 0 BC), the castle hill became a very important center of the Celts. The castle hill, which was situated at the Danube and thus since 9 BC at the border of the Roman Empire, was also settled by the Romans during the Roman Period (1st to 4th century AD).
The situation changed with the arrival of the Slavs, direct predecessors of the present-day Slovaks, around 500 in the territory of Bratislava. Initially, they partly used older Roman and Celtic structures and added some fortifications. Probably at the end of the 8th century (definitely not later than in the early 9th century), at the time of the Principality of Nitra, a Slavic castle with a wooden rampart was constructed with a huge area of 55,000 square metres. In the second half of the 9th century, at the time of Great Moravia, a palace of stone surrounded by dwellings and a big basilica were added.
The Great Moravian prince Uratislaus (Vratislav) constructed today's Bratislava castle at the place of a destroyed Roman fort maybe in the early 9th century (around 805-807). The construction of a new castle of stone started in the 10th century, but work lagged. Under King Stephen I of Hungary (1000–1038), however, the castle was already one of the central castles of the Kingdom of Hungary. It became the seat of Pozsony county and protected the kingdom against Bohemian and German attacks and played an important role in throne struggles in the Kingdom of Hungary.
The castle was turned into a proto-Romanesque palace of stone in the 12th century (probably after 1179), maybe because King Béla III (1173–1196) decided to make Esztergom the definitive seat of kings of the Kingdom of Hungary. It was a palace similar to those constructed in Germany under Friedrich Barbarossa. In 1182 Friedrich Barbarossa gathered his crusader army under the castle. The church institutions and building at the castle were moved to the town below the castle in the early 12th century.
The well-fortified Pressburg Castle was among the few castles of the Kingdom of Hungary to be able to withstand Mongol attacks in 1241 and 1242. As a reaction to these attacks, a huge 'tower for the protection of the kingdom' was constructed at the castle building in 1245 immediately next to two older palaces. The tower was actually a huge high residential building. In addition, 7 square towers were built into the old rampart and a stone wall was added around the castle proper. The biggest of the rampart towers was at the same time a corner tower of the stone wall. Today it is a part of the castle building – it is identical with the present-day 'Crown tower', which is the largest of the four existing towers of the structure. It was probably built around 1250.
The reconstruction in 15th century brought the shape of an extensive Gothic palace surrounded by defense stone walls with a gate in Gothic style on its eastern side that is still standing.
The next reconstruction started in 1552 after the Hungarian state administration was moved from Buda to Bratislava and the town having been declared the official coronation town for Hungarian Kings by the parliament. The old Gothic building was soon changed into a fortified Renaissance castle. The south-west tower also known as the jewel's tower, housed the Hungarian coronation jewels for two centuries.
The last large scale reconstruction in Baroque style took place under the reign of Maria Theresia (1740-1780). The western, then still existing Gothic part of the fortification wall was pulled down and representative staircase, leading to the southern wing was built there, while a new, three winged building, the so called Theresianum was erected at the eastern side, together with a covered riding hall east of the palace.
In 1783 the Emperor Joseph II established the General Seminary for the education of Roman - Catholic priests in the castle. Although it was of short existence only, this seminary was of great importance in the history of the Slovak nation. Many outstanding personalities were formed here. One of them is Anton Bernolak, whose first attempt of setting up new rules for the Slovak literary language was made here.
After the death of Joseph II the seminary was almost immediately dissolved and the castle remained almost empty, until it was turned into a military garrison in 1802. On May 30, 1811, it was burnt down and only ruins were left from Bratislava Castle.
In 1953 the final reconstruction had begun. The restoration was done to the last (Baroque) state of the main building, but at many places older (Gothic, Renaissance) preserved elements or parts have been restored. The Theresianum has not been restored and the Hillebrandt building of 1762 was restored only around the year 2000.
Today the castle is the most well-known attraction in Bratislava.References:
The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.
The grounds, which had been divided into four parts since the constructions of a railway line and the Bundesautobahn 9 in the 1930s, were designated a World Heritage Site by UNESCO in 2000.
For Prince Leopold III Friedrich Franz of Anhalt-Dessau (1740-1817) and his friend and adviser Friedrich Wilhelm von Erdmannsdorff (1736-1800), the study of landscape gardens in England and ancient buildings in Italy during several tours was the impetus for their own creative programme in the little principality by the rivers Elbe and Mulde. As a result, the first landscape garden in continental Europe was created here, with Wörlitz as its focus. Over a period of forty years a network of visual and stylistic relationships was developed with other landscape gardens in the region, leading to the creation of a garden landscape on a unique scale in Europe. In the making of this landscape, the designers strove to go beyond the mere copying of garden scenery and buildings from other sites, but instead to generate a synthesis of a wide range of artistic relationships. Among new and characteristic components of this garden landscape was the integration of a didactic element, arising from the philosophy of Jean-Jacques Rousseau (1712-1778), the thinking of Johann Joachim Winckelmann (1717-1768), and the aesthetics of Johann Georg Sulzer (1720-1779). The notion of public access to the buildings and grounds was a reflection of the pedagogic concept of the humanisation of society.
Proceeding from the idea of the ferme ornée, agriculture as the basis for everyday life found its place in the garden landscape. In a Rousseauian sense, agriculture also had to perform a pedagogic function in Anhalt-Dessau. Through the deliberate demonstration of new farming methods in the landscape garden, developments in Anhalt-Dessau were not merely theoretical, but a practical demonstration of their models in England. It is noteworthy that these objectives - the integration of aesthetics and education into the landscape – were implemented with outstanding artistic quality. Thus, for instance, the buildings of Friedrich Wilhelm von Erdmannsdorff provided important models for the architectural development of Germany and central Europe. Schloss Wörlitz (1769-73) was the first Neoclassical building in German architectural history. The Gothic House (from 1774) was a decisive influence on the development of Gothic Revival architecture in central Europe. Here, for the first time, the Gothic style was used to carry a political message, namely the desire for the retention of sovereignty among the smaller Imperial territories. The churches in Riesigk (1800), Wörlitz (1804-09), and Vockerode (1810-11) were the first Neoclassical, ecclesiastical buildings in Germany, their towers enlivening the marshland, floodplain landscape in which they served as waymarkers. In parts of the Baroque park of Oranienbaum, an Anglo-Chinese garden was laid out, now the sole surviving example in Europe of such a garden in its original form from the period before 1800. The development of stylistic eclecticism in the 19th century had its roots in the closing years of the 18th century.
Another feature of the landscape is the integration of new technological achievements, such as the building of bridges, an expression of a continuing quest for modernity. Through the conscious incorporation of the older layouts at Oranienbaum and Mosigkau into a pantheon of styles, the landscape became an architectural encyclopaedia featuring examples from ancient times to the latest developments. Nowhere else in Germany or Europe had a prince brought such an all-embracing and extensive programme of landscape reform into being, particularly one so deeply rooted in philosophical and educational theory. With the unique density of its landscape of monuments, the Garden Kingdom of Dessau-Wörlitz is an expression of the enlightened outlook of the court at Dessau, in which the landscape became the idealised world of its day.
Through the conscious and structured incorporation of economic, technological, and functional buildings and parks into the artistically designed landscape, the Garden Kingdom of Dessau-Wörlitz became an important concourse of ideas, in that it facilitated the convergence of 18th century grandeur of design with the beginnings of 19th century industrial society. The reforming outlook of this period brought about a huge diversity of change in the garden layout, and this legacy can still be experienced today.