The Old Town of Bratislava contains the small, but preserved medieval city center, Bratislava Castle and other important landmarks. Bratislava's Old Town is known for its many churches, a riverbank promenade and cultural institutions, it is also the location of most of the foreign states embassies and important Slovak institutions, the Summer Archbishop's Palace, seat of the Government of Slovakia and Grassalkovich Palace, seat of the President of Slovakia.
The eastern section is the historical and administrative center. Notable buildings and spaces include the Grassalkovich Palace, Trinity Church, Bratislava's Town Hall, St. Martin's Cathedral, Michael's Gate, the Primate's Palace, the Slovak National Theatre, the Main Square and Zochova Street from the 14th century and many other old churches and palaces. There are still some remnants of the medieval Bratislava city walls, although not open to the public for the time being.
St. Michael's Tower is one of essential symbols of Bratislava. Only the gate on St. Michael's Tower has been preserved out of the original four gates that were gateways for entering the fortified medieval city. Currentlyan exhibition of weaponry and city fortifications of the Bratislava City Museum is on display in the tower. A view of the entire rest of Michalská ulica street, which is one of the oldest in the city, opens up from St. Michael's Gate.
Zichy's Palace with its elegant, strictly Classicist-style facade draws the visitor's interest at the corner of Ventúrska and Prepoštská Streets. It was built in approximately 1775 at the behest of Count Francis Zichy. The palace was refurbished in the 1980's and now it hosts all kinds of ceremonies and celebrations. A Baroque-style Pállfy's Palace (house No. 10), which was rebuilt from an old house in 1747, is located at the corner of Ventúrska and Zelená Streets. A memorial plaque on the Pállfy's Palace facade on Ventúrska Street brings attention to the fact that the six-year old child prodigy, worldwide known as Wolfgang Amadeus Mozart (1756-1791), probably performed a concert in the palace.
A parish church is a landmark of every Christian city. This is no doubt the case with St. Martin's Cathedral – the largest, oldest and most remarkable church in Bratislava from the 14th century. St. Martin's Cathedral was a coronation church between 1563 and 1830.
The crossroads of the Fisherman's Gate and Panská and Laurinská Streets is one of the Old Town's liveliest places. People like to stop here to listen to tunes played by street musicians. Tourists are bound to make a picture with the statue of Čumil in what is an almost ceremonial photo session. The Fisherman's Gate is a short street in Bratislava's historic centre. Next to House No. 1 on Fisherman's Gate Street is a statue of a man in real size, who is holding a hat in his hand. The man looks like he is saying hello to somebody he knows coming out of a nearby entrance. Unlike the nearby Čumil, this sculpture, which shines in the silver colour, represents a real Bratislava local, whom everybody has called Schöner Nazi.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.