Hollokö is an outstanding example of a deliberately preserved traditional settlement. This village, which developed mainly during the 17th and 18th centuries, is a living example of rural life before the agricultural revolution of the 20th century. The village has been an UNESCO World Heritage Site since 1987.
In the middle of the 13th century, in the aftermath of the Mongol invasion, construction of Hollókő castle first began as a means to protect the area against future attacks. At this time, the area around Hollókő was held by the Kacsics noble clan. The castle was first mentioned in records in 1310. The original village was built just below the castle walls. The Ottomans captured the castle in 1552 and for the next 150 years, control alternated between Ottoman and Hungarian forces. At the end of the Ottoman era (1683) the castle and the village were finally abandoned and the present village grew up below. Many of the existing houses were first built around this time. The houses, which contain wood in their structure, have had to be rebuilt many times throughout the years due to periodic fires, the last being in 1909.
Hollókö is a living community whose conservation not only includes farming activity but also ensures its success. It provides a certainly exceptional and maybe unique example of voluntary conservation of a traditional village with its soil. The plots that were modified by the regrouping of land were returned to their original strip shape. The vineyards, orchards and vegetable gardens have been recreated; the ecological balance has been restored, even in the forestry environment, taking infinite care to respect historical authenticity. Hollókö not only represents the Palocz subgroup within the Magyar entity, but also bears witness, for the whole of Central Europe, to the traditional forms of rural life, which were generally abolished by the agricultural revolution in the 20th century.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.