King St. Stephen established a bishopric of Pécs in 1009. The origins of the Bishop's Palace reach back to the 12th century. First it was inhabited by the French Bishop Bonipert and later on by the Hungarian Bishop Mor. Just like the cathedral, the palace is a piece of stylistic history. The Gothic windows and Roman layout are hidden by the Neo-Renaissance facade. Preserved in the smokery is the wooden tobacco-pipe of the priest of Ibafa. Exhibitions about the lives of Bishops and of the interiors of the Bishop’s Palace will soon be open to the general public. The inner garden and the secret, underground hallway connecting the garden with the Bishop’s Cellar will be open to visitors as well.
On the eastern side of the Cathedral we can find the Classicist, late Baroque building of the Capitular Archives and the Parish, built during the time of Bishop Klimo. It was built based on the plans of the famous architect Sartory. Besides prebendary rooms it contains capitular archives, precious document of the cathedral archives, a drawings collection and the parish heritage records. The forged gate of the Bishop’s Crypt, built under the Archives in 1747, is an elaborate piece of art. The neighboring Dom lapidary is one of the most important statue collections of the art of Medieval Hungary: the original Roman-age sculptures, sculpture fragments and reliefs decorated with biblical scenes are all kept here.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.