The Downtown Candlemas Church of the Blessed Virgin Mary, formerly known as the Mosque of Pasha Qasim is a Roman Catholic church in Pécs. It was a mosque in the 16-17th century due to the Ottoman conquest. It is one of the symbols of the city, located in the downtown, on the Széchenyi square. The current building, hundred steps both its length and its width, was built by Pasha Qasim the Victorious between 1543 and 1546. The mosque was converted into a church in 1702, after the Habsburg-Hungarian troops liberated the city. The minaret was brought down by the Jesuits in 1766. It is still one of the largest Turkish buildings that remains in Hungary. It harbours the characteristics of Turkish architecture.
Standing at the highest point of Pécs's Széchenyi square, the mosque of pasha Qasim is the greatest example of Turkish architecture in Hungary. It was probably built in the second half of the 16th century. In the 1660s Evliya Çelebi, the famous Turkish traveller wrote of the overwhelming majesty of its view. A number of changes had been made on the building between the 18th and the 20th centuries. Its minaret was ultimately taken down but had been previously enlarged. Only the main square part remained of the original structure: the octagon drum, covered by a dome. There are arc windows in two rows on the façade of its south-eastern, south western and north-eastern part; 3-3 and 4-4 pieces. Inside the church, in the remaining plaster parts the Turkish decoration and inscriptions of the Qur'an are clearly visible. The Turkish pulpit and the women's balcony were destroyed and the mihrab is not the original either. The two Turkish bathing basins before the sacristies are taken from the former bath of the pasha next to the church. Today, the building functions as a Catholic church.
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The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.