Pieskowa Skała castle, built by King Casimir III the Great, is one of the best-known examples of a defensive Polish Renaissance architecture. It was erected in the first half of the 14th century as part of the chain of fortified castles called Orle Gniazda (Eagles Nests).
The castle was renovated and donated in 1377 by king Louis I of Hungary to Piotr Szafraniec of Łuczyce, according to a more modern interpretation by the 15th century chronicler Jan Długosz, but the family gained the full ownership rights of the castle only in 1422 from King Władysław II Jagiełło in recognition of the faithful service at the Battle of Grunwald by Piotr Szafraniec, the chamberlain of Kraków.
The castle was rebuilt in 1542–1544 by Niccolò Castiglione with participation from Gabriel Słoński of Kraków. The sponsor of the castle's reconstruction in the mannerist style was the Calvinist, Stanisław Szafraniec, voivode of Sandomierz. At that time the original medieval tower was transformed into a scenic double loggia decorated in the sgraffito technique. Between 1557 and 1578, the trapezoid shape courtyard was surrounded at the level of two upper storeys by arcades, embellished with 21 mascarons. The arcade risalit above the gate is a 17th-century addition.
The last owner of the castle of Szafraniec family was Jędrzej, Stanisław's son, who died childless in 1608. After his death the estate was purchased by Maciej Łubnicki and later by the Zebrzydowski family. In 1640 Michał Zebrzydowski built the bastion fortifications with baroque gate and a chapel. The castle changed hands many times over the centuries. In 1903 it was bought by the Pieskowa Skała Society led by Adolf Dygasiński and with time turned over to the Polish state and meticulously restored.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.