Church of Our Lady Assumed into Heaven (also known as St. Mary's Church) is a Brick Gothic church famous for its wooden altarpiece carved by Veit Stoss. According to chronicler Jan Długosz the first parish church at the Main Square in Kraków was founded in 1221–22 by the Bishop of Kraków, Iwo Odrowąż. The building was destroyed during the Mongol invasion of Poland. Between 1290–1300 the new early Gothic church was built on the remaining foundations. It was consecrated twenty years later, in 1320.
The church was completely rebuilt under the reign of Casimir III the Great between 1355 and 1365 with substantial contributions from wealthy restaurateur Mikołaj Wierzynek. The presbytery was elongated and tall windows added. The main body of the church was completed in 1395–97 with the new vault constructed by master Nicholas Werhner from Prague. However, the vault over the presbytery collapsed in 1442 due to a possible earthquake, which never happen before nor after in Kraków.
In the first half of the 15th century, the side chapels were added. Most of them were the work of master Franciszek Wiechoń. At the same time the northern tower was raised and designed to serve as the watch tower for the entire city. In 1478 carpenter Maciej Heringh funded a helmet for the tower. A gilded crown was placed on it in 1666, which is still present today. At the end of the 15th century, St Mary's church was enriched with a sculptural masterpiece, an Altarpiece of Veit Stoss (Ołtarz Mariacki Wita Stwosza) of late Gothic design.
In the 18th century, by the decision of vicar Jacek Augustyn Łopacki, the interior was rebuilt in the late Baroque style. The author of this work was Francesco Placidi. All 26 altars, equipment, furniture, benches and paintings were replaced and the walls were decorated with polychrome, the work of Andrzej Radwański.
At the beginning of the 19th century, the city has decided that a cemetery near the Basilica was to be shut down and made into a public square. Today it is known as Plac Mariacki (The Marian Square). In the years 1887–1891, under the direction of Tadeusz Stryjeński the neo-Gothic design was introduced into the Basilica. The temple gained a new design and murals painted and funded by Jan Matejko, who worked with Stanislaw Wyspianski and Józef Mehoffer - the authors of stained glass in the presbytery.
On every hour, a trumpet signal—called the Hejnał mariacki—is played from the top of the taller of St. Mary's two towers. The plaintive tune breaks off in mid-stream, to commemorate the famous 13th century trumpeter, who was shot in the throat while sounding the alarm before the Mongol attack on the city. The noon-time hejnał is heard across Poland and abroad broadcast live by the Polish national Radio 1 Station.
St. Mary's Basilica also served as an architectural model for many of the churches that were built by the Polish diaspora abroad, particularly those like St. Michael's and St. John Cantius in Chicago, designed in the so-called Polish Cathedral style.
References:Varberg Fortress was built in 1287-1300 by count Jacob Nielsen as protection against his Danish king, who had declared him an outlaw after the murder of King Eric V of Denmark. Jacob had close connections with king Eric II of Norway and as a result got substantial Norwegian assistance with the construction. The fortress, as well as half the county, became Norwegian in 1305.
King Eric's grand daughter, Ingeborg Håkansdotter, inherited the area from her father, King Haakon V of Norway. She and her husband, Eric, Duke of Södermanland, established a semi-independent state out of their Norwegian, Swedish and Danish counties until the death of Erik. They spent considerable time at the fortress. Their son, King Magnus IV of Sweden (Magnus VII of Norway), spent much time at the fortress as well.
The fortress was augmented during the late 16th and early 17th century on order by King Christian IV of Denmark. However, after the Treaty of Brömsebro in 1645 the fortress became Swedish. It was used as a military installation until 1830 and as a prison from the end of the 17th Century until 1931.
It is currently used as a museum and bed and breakfast as well as private accommodation. The moat of the fortress is said to be inhabited by a small lake monster. In August 2006, a couple of witnesses claimed to have seen the monster emerge from the dark water and devour a duck. The creature is described as brown, hairless and with a 40 cm long tail.