The Royal Archcathedral Basilica of Saints Stanislaus and Wenceslaus is a Roman Catholic church located on Wawel Castle hill. More than 900 years old, it is the Polish national sanctuary and traditionally has served as coronation site of the Polish monarchs as well as the Cathedral of the Archdiocese of Kraków. The current, Gothic cathedral, is the third edifice on this site: the first was constructed and destroyed in the 11th century; the second one, constructed in the 12th century, was destroyed by a fire in 1305. The construction of the current one began in the 14th century on the orders of bishop Nanker.
The Cathedral comprises a nave with aisles, transepts with aisles, a choir with double aisles, and an apse with ambulatory and radiating chapels. The main altar, located in the apse, was founded about 1650 by Bishop Piotr Gembicki and created by Giovanni Battista Gisleni. The altar painting of Crucified Christ by Marcin Blechowski is from the 17th century. Over the main altar stands a tall canopy of black marble supported by four pillars, designed by Giovanni Battista Trevano and Matteo Castelli between 1626 and 1629. Underneath the canopy is placed a silver coffin of national patron saint St. Stanislaus (Stanisław) created between 1669-1671 after the previous one (donated in 1512 by King Sigismund I the Old) was stolen by the Swedes in 1655.
The Wawel Cathedral has been the main burial site for Polish monarchs since the 14th century. As such, it has been significantly extended and altered over time as individual rulers have added multiple burial chapels.
Sigismund's Chapel, adjoining the southern wall of the cathedral, is one of the most notable pieces of architecture in Kraków and a pure example of Renaissance architecture outside Italy. Financed by Sigismund I the Old, it was built between 1517 and 1533 by Bartolommeo Berrecci, a Florentine Renaissance architect, who spent most of his career in Poland.
A square-based chapel with a golden dome, it houses the tombs of its founder and those his children, King Sigismund II Augustus and Anna Jagiellon (Jagiellonka).
The crypt beneath the Wawel Cathedral holds the tombs of Polish kings, national heroes, generals and revolutionaries.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.