The Royal Archcathedral Basilica of Saints Stanislaus and Wenceslaus is a Roman Catholic church located on Wawel Castle hill. More than 900 years old, it is the Polish national sanctuary and traditionally has served as coronation site of the Polish monarchs as well as the Cathedral of the Archdiocese of Kraków. The current, Gothic cathedral, is the third edifice on this site: the first was constructed and destroyed in the 11th century; the second one, constructed in the 12th century, was destroyed by a fire in 1305. The construction of the current one began in the 14th century on the orders of bishop Nanker.
The Cathedral comprises a nave with aisles, transepts with aisles, a choir with double aisles, and an apse with ambulatory and radiating chapels. The main altar, located in the apse, was founded about 1650 by Bishop Piotr Gembicki and created by Giovanni Battista Gisleni. The altar painting of Crucified Christ by Marcin Blechowski is from the 17th century. Over the main altar stands a tall canopy of black marble supported by four pillars, designed by Giovanni Battista Trevano and Matteo Castelli between 1626 and 1629. Underneath the canopy is placed a silver coffin of national patron saint St. Stanislaus (Stanisław) created between 1669-1671 after the previous one (donated in 1512 by King Sigismund I the Old) was stolen by the Swedes in 1655.
The Wawel Cathedral has been the main burial site for Polish monarchs since the 14th century. As such, it has been significantly extended and altered over time as individual rulers have added multiple burial chapels.
Sigismund's Chapel, adjoining the southern wall of the cathedral, is one of the most notable pieces of architecture in Kraków and a pure example of Renaissance architecture outside Italy. Financed by Sigismund I the Old, it was built between 1517 and 1533 by Bartolommeo Berrecci, a Florentine Renaissance architect, who spent most of his career in Poland.
A square-based chapel with a golden dome, it houses the tombs of its founder and those his children, King Sigismund II Augustus and Anna Jagiellon (Jagiellonka).
The crypt beneath the Wawel Cathedral holds the tombs of Polish kings, national heroes, generals and revolutionaries.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.