Mannheim Palace is a large Baroque palace, originally the main residence of the Prince-electors of the Electorate of the Palatinate of the House of Wittelsbach. It is now primarily used by the University of Mannheim.
The city of Mannheim, founded in 1606, was fortified and at the present site of the castle there was a fortress called Friedrichsburg, sometimes serving as alternative residence for the Elector, one of the most important territorial princes of the Holy Roman Empire.
The actual palace dates from the 18th century. When Elector Karl III Philip had confessional controversies with the inhabitants of his capital Heidelberg, he decided to make Mannheim the Palatinate's new capital in 1720. Karl Philip decided to construct a new palace as his residence on the site of the old Friedrichsburg. It was part of a general trend among the German princes to create grand new residences in that era.
Construction was commenced solemnly on June 2, 1720. The building process was intended to cost about 300,000 Gulden, financed by an extraordinary “palace tax”, but in the end, the palace cost about 2 million Gulden and severely worsened the Palatinate's financial situation. The first administrative institutions began using the palace in 1725, but Karl Philip was able to transfer his court to the new residence only in 1731. Construction was not completed until 1760.
Karl Philip died in 1742 and was succeeded by a distant relative, the young Karl Theodor. During his reign, the palace and the city of Mannheim saw their zenith. The glamour of the Elector's court and Mannheim's then famous cultural life lasted until 1778, when Karl Theodor became Elector of Bavaria by inheritance and he moved his court to Munich. Although Mannheim kept the title of “residence”, the palace was used merely as accommodation for several administrative bodies.
Things worsened further during the Napoleonic Wars, when Mannheim was besieged. During Napoleon's reorganization of Germany, the Electorate of the Palatinate was split up and Mannheim became part of the Grand Duchy of Baden, thus losing its capital/residence status. Some glamour returned to Mannheim Palace when Stéphanie de Beauharnais, the consort of Grand Duke Karl of Baden, resided here after 1806. For most of the 19th and early 20th centuries, the palace served no uniform purpose, being used as a representative building and a museum for the city.
In World War II, the palace was heavily bombed and partly destroyed. Many people supported demolishing it after the war to create space for a more modern city architecture. These plans came to nothing and the palace was reconstructed.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.