Mannheim Palace is a large Baroque palace, originally the main residence of the Prince-electors of the Electorate of the Palatinate of the House of Wittelsbach. It is now primarily used by the University of Mannheim.
The city of Mannheim, founded in 1606, was fortified and at the present site of the castle there was a fortress called Friedrichsburg, sometimes serving as alternative residence for the Elector, one of the most important territorial princes of the Holy Roman Empire.
The actual palace dates from the 18th century. When Elector Karl III Philip had confessional controversies with the inhabitants of his capital Heidelberg, he decided to make Mannheim the Palatinate's new capital in 1720. Karl Philip decided to construct a new palace as his residence on the site of the old Friedrichsburg. It was part of a general trend among the German princes to create grand new residences in that era.
Construction was commenced solemnly on June 2, 1720. The building process was intended to cost about 300,000 Gulden, financed by an extraordinary “palace tax”, but in the end, the palace cost about 2 million Gulden and severely worsened the Palatinate's financial situation. The first administrative institutions began using the palace in 1725, but Karl Philip was able to transfer his court to the new residence only in 1731. Construction was not completed until 1760.
Karl Philip died in 1742 and was succeeded by a distant relative, the young Karl Theodor. During his reign, the palace and the city of Mannheim saw their zenith. The glamour of the Elector's court and Mannheim's then famous cultural life lasted until 1778, when Karl Theodor became Elector of Bavaria by inheritance and he moved his court to Munich. Although Mannheim kept the title of “residence”, the palace was used merely as accommodation for several administrative bodies.
Things worsened further during the Napoleonic Wars, when Mannheim was besieged. During Napoleon's reorganization of Germany, the Electorate of the Palatinate was split up and Mannheim became part of the Grand Duchy of Baden, thus losing its capital/residence status. Some glamour returned to Mannheim Palace when Stéphanie de Beauharnais, the consort of Grand Duke Karl of Baden, resided here after 1806. For most of the 19th and early 20th centuries, the palace served no uniform purpose, being used as a representative building and a museum for the city.
In World War II, the palace was heavily bombed and partly destroyed. Many people supported demolishing it after the war to create space for a more modern city architecture. These plans came to nothing and the palace was reconstructed.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.