Heidelberg Castle is a famous ruin and one of the the most important Renaissance structures north of the Alps. The rich and eventful history of Heidelberg Palace began when the counts palatine of the Rhine, – later prince electors – established their residence at Heidelberg. The earliest castle structure was built before 1214 and later expanded into two castles circa 1294; however, in 1537, a lightning-bolt destroyed the upper castle. Until the Thirty Years’ War, Heidelberg Palace boasted one of the most notable ensembles of buildings in the Holy Roman Empire. The present structures had been expanded by 1650, before damage by later wars and fires. In 1764, another lightning-bolt caused a fire which destroyed some rebuilt sections.
The 19th century brought a new wave of admiration: a sight both terrible and beautiful, the ruins epitomised the spirit of the Romantic movement. Heidelberg Palace was elevated to a national monument. The imposing edifice and its famous garden, the Hortus Palatinus, became shrouded in myth. The garden, the last work commissioned by the prince electors, was never completed. Some remaining landscaped terraces and other vestiges hint at the awe-inspiring scale of this ambitious project. In the 17th century, it was celebrated as the “eighth wonder of the world”. While time has taken its toll, Heidelberg Palace’s fame lives on to this day.
Heidelberg Castle is located 80 metres up the northern part of the Königstuhl hillside, and thereby dominates the view of the old downtown. Set against the deep green forests on the north flank of Königstuhl hill, the red sandstone ruins tower majestically over the Neckar valley.References:
The Temple of Portunus or Temple of Fortuna Virilis ('manly fortune') is one of the best preserved of all Roman temples. Its dedication remains unclear, as ancient sources mention several temples in this area of Rome, without saying enough to make it clear which this is.
The temple was originally built in the third or fourth century BC but was rebuilt between 120-80 BC, the rectangular building consists of a tetrastyle portico and cella, raised on a high podium reached by a flight of steps, which it retains.
The temple owes its state of preservation to its being converted for use as a church in 872 and rededicated to Santa Maria Egyziaca (Saint Mary of Egypt). Its Ionic order has been much admired, drawn and engraved and copied since the 16th century. The original coating of stucco over its tufa and travertine construction has been lost.