Karlsruhe Palace was erected in 1715 by Margrave Charles III William of Baden-Durlach, after a dispute with the citizens of his previous capital, Durlach. The city of Karlsruhe has since grown around it. The first building was constructed by Jakob Friedrich von Batzendorf. The city was planned with the tower of the palace at the centre and 32 streets radiating out from it like spokes on a wheel, or ribs on a folding fan.
Originally partially made of wood, the palace had to be rebuilt in 1746, using stone. Charles Frederick, Margrave of Baden-Durlach at the time, and who eventually became Charles Frederick, Grand Duke of Baden then had the palace altered by Balthasar Neumann and Friedrich von Kesslau until 1770, adding larger windows and doors, pavilions and wings. In 1785, Wilhelm Jeremias Müller shortened the tower, adding a cupola.
During the Revolutions of 1848, Leopold, Grand Duke of Baden was expelled in 1849 for some time. In 1918, the last monarch Frederick II, Grand Duke of Baden had to move out. The former residence of the Rulers of Baden is since used as Badisches Landesmuseum.
Much of the city centre, including the palace, was reduced to rubble by Allied bombing during World War II but was quickly rebuilt after the war.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.