Bruchsal Palace (Schloss Bruchsal) is the only Prince-Bishop’s residence on the Upper Rhine. It is famous for its opulent Baroque staircase constructed by Balthasar Neumann. Bruchsal Palace was constructed in 1720 as a residence for the Prince-Bishops of Speyer. The then Prince-Bishop, Damian Hugo von Schönborn, an avid art collector, played an important role in planning the complex. The three-wing palace is built of sandstone. The collection of exquisitely matched buildings, along with the carefully laid out garden, make up an extraordinarily beautiful ensemble.
Visitors entering Bruchsal Palace’s cour d'honneur (three-sided grand courtyard) are greeted with a splendid and colourful sight. The buildings are lavishly painted, decorated with gold-plated stucco, and feature golden gargoyles in the shape of dragons. Construction of the famous staircase by Balthasar Neumann began in 1728. This stunning architectural masterpiece is unsurpassed in terms of its unique style and the poetry of its design. Franz Christoph von Hutten, who resided in the palace after Schönborn, made his mark by decorating the Fürstensaal (Prince’s hall), Marmorsaal (marble hall) and the exquisite Paradezimmer (grand rooms).
The palace complex was almost completely destroyed during the Second World War. Fortunately, the structure of the staircase was mostly preserved. The palace complex’s reconstruction was one of Baden-Württemberg’s most impressive projects of this kind. Today, Bruchsal Palace is more than a breathtaking example of Baroque architecture – it is also the outstanding result of carefully-planned, highly historically accurate reconstruction work.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.