Poseritz Brick church is built on foundations of large fieldstones. There are individual fieldstone courses in the tower. Work on the nave began between 1302 and 1325. The structure was designed as a three aisle hall structure, and this plan was followed in the first phase of construction, visible in the applied columns to the left and right of the tower entrance. Those to the east were removed in widening the triumphal arch, when a broader choir than originally planned was added, which required cuts into the east wall of the nave. The outer walls originate from the three aisle hall church. But in the second phase of construction the church was finally erected in the form of a triple-bay hall with buttresses. The choir, nave, and sacristy have cross vaulting, applied columns supported outside by abutment piers. Choir with rectangular termination built shortly afterwards in the 14th century. The sacristy was added afterwards in about 1400 to the north between the choir and the east wall of the nave. Massive west tower dating from later than 1450 using existing denticulation, a polygonal spire being added in 1580. The west portal with its segmental arch has an old, nailed diamond pattern door. The interior is plastered in white.
Oldest furnishings and accessories are the 14th century limestone font and Gothic crucifix over the south portal from about 1400. Other furnishings include offertory box from the 15th century, bell from about 1500, large triumphal cross ensemble with 16th century cross, Mary and John from the 15th century, two wooden patron chairs from 1598 and 1600, memorial tablet from 1600, late Baroque carved altar from 1703, confessional from 1747 and Rococo pulpit by Jakob Freese, Stralsund, from 1755.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.