Neresheim Abbey was founded in 1095 as a house of (secular) Augustinian Canons, and converted to a Benedictine monastery in 1106. In the 13th century, the abbey owned seven villages and it had an income from a further 71 places in the area. Ten parish churches were incorporated. During wars and conflicts the monastery was destroyed several times for example during the Thirty Years' War and during Napoleonic Wars of the beginning of the 19th century.

After much internal debate, in 1745, the decision was taken to build a new abbey church instead of rebuilding the old Romanesque church, which had been superficially updated to the Baroque style in the late 17th century. Abbot Amandus Fischer (1711–29) had brought in architect Dominikus Zimmermann to rebuild and redecorate the abbey's Festsaal, which was carried out in 1719-20 in a high Rococo style. Seeking stylistic continuity with his predecessor's building program, Abbot Aurelius Braisch (1739–55) commissioned architect and building engineer Johann Balthasar Neumann to rebuild the abbey church in 1747. Neumann, the most sought-after architect in central Europe at the time, had designed the pilgrimage church of Vierzehnheiligen and the Residenz at Würzburg, which were admired for their light formal invention, sumptuous materials and lightness of touch. Neumann's plan called for a conventional basilica consisting of nave, crossing and choir which were articulated as a series of oval-shaped bays surmounted with shallow domes.

Work commenced on the new church in 1750, but Neumann's premature death in 1753 necessitated the finding of new builders willing to carry out Neumann's plans. Subsequent architects altered or abandoned the original design, particularly the construction and profile of the domes, which slowed progress. The finished church, consecrated in 1792, should be attributed to Neumann with reservations or characterized as the work of disparate hands.

The domes were frescoed by Austrian painter Martin Knoller over the 6 summers of 1770-75. Seven scenes from the Life of Christ are depicted, including Christ among the Doctors, the Last Supper and the Ascension.

In 1802 the monastery was suppressed and secularized. Due to the disruptions caused by the Napoleonic invasion, custodianship over the abbey's assets and property was granted to the Princely House of Thurn und Taxis for the years 1803-06. Afterwards, the Bavarian state assumed ownership. Both the abbey and the County of Thurn un Taxis were annexed by the kingdom of Württemberg in 1810.

Precious objects were bought from Thurn und Taxis by Bavaria. The Prince of Thurn und Taxis funded and refounded the monastery, which opened in 1919. It was resettled by Benedictines from Beuron Archabbey and the Emaus Abbey in Prague. Today there are 13 monks in the monastery, Norbert Stoffels having been their guiding abbot between 1977 and 2012. Now since March 2012 P. Albert Knebel is Prior-Administrator. There is a bookshop and a restaurant for visitors.

The medieval monastery had a roman basilica but in 1695 it was transformed to a baroque church. The present abbey was erected between 1747 and 1792 from plans by Balthasar Neumann. After his death in 1753 his disciples and followers continued his work. It is a masterpiece of European baroque. its famous ceiling paintings were by Martin Knoller from Steinach, Austria. They shows Jesus Christ in the centre surrounded by scenes from his life.

References:

Comments

Your name



Details

Founded: 1095
Category: Religious sites in Germany
Historical period: Salian Dynasty (Germany)

User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Lednice Castle

The first historical record of Lednice locality dates from 1222. At that time there stood a Gothic fort with courtyard, which was lent by Czech King Václav I to Austrian nobleman Sigfried Sirotek in 1249.

At the end of the 13th century the Liechtensteins, originally from Styria, became holders of all of Lednice and of nearby Mikulov. They gradually acquired land on both sides of the Moravian-Austrian border. Members of the family most often found fame in military service, during the Renaissance they expanded their estates through economic activity. From the middle of the 15th century members of the family occupied the highest offices in the land. However, the family’s position in Moravia really changed under the brothers Karel, Maximilian, and Gundakar of Liechtenstein. Through marriage Karel and Maximilian acquired the great wealth of the old Moravian dynasty of the Černohorskýs of Boskovice. At that time the brothers, like their father and grandfather, were Lutheran, but they soon converted to Catholicism, thus preparing the ground for their rise in politics. Particularly Karel, who served at the court of Emperor Rudolf II, became hetman of Moravia in 1608, and was later raised to princely status by King Matyas II and awarded the Duchy of Opava.

During the revolt of the Czech nobility he stood on the side of the Habsburgs, and took part in the Battle of White Mountain. After the uprising was defeated in 1620 he systematically acquired property confiscated from some of the rebels, and the Liechtensteins became the wealthiest family in Moravia, rising in status above the Žerotíns. Their enormous land holdings brought them great profits, and eventually allowed them to carry out their grandious building projects here in Lednice.

In the 16th century it was probably Hartmann II of Liechtenstein who had the old medieval water castle torn down and replaced with a Renaissance chateau. At the end of the 17th century the chateau was torn down and a Baroque palace was built, with an extensive formal garden, and a massive riding hall designed by Johann Bernard Fischer von Erlach that still stands in almost unaltered form.

In the mid-18th century the chateau was again renovated, and in 1815 its front tracts that had been part of the Baroque chateau were removed.

The chateau as it looks today dates from 1846-1858, when Prince Alois II decided that Vienna was not suitable for entertaining in the summer, and had Lednice rebuilt into a summer palace in the spirit of English Gothic. The hall on the ground floor would serve to entertain the European aristocracy at sumptuous banquets, and was furnished with carved wood ceilings, wooden panelling, and select furniture, surpassing anything of its kind in Europe.