Ulm Minster, like Cologne Cathedral, was begun in the Gothic era and not completed until the late 19th century. It is the tallest church in the world, and the 4th tallest structure built before the 20th century, with a steeple measuring 161.5 metres. From the top level at 143m there is a panoramic view of Ulm.
The foundation stone was laid in 1377. The planned church was to have three naves of equal height, a main spire on the west and two steeples above the choir. In 1392 Ulrich Ensingen (associated with Strasbourg Cathedral) was appointed master builder. It was his plan to make the western church tower the tallest spire, which it remains in the present day. The church, consisting of the longitudinal naves and the choir, covered by a temporary roof, was consecrated in 1405. However, structural damage, caused by the height of the naves and the weight of the heavy vaulting, necessitated a reconstruction of the lateral naves which were supported by a row of additional column in their centre.
In a referendum in 1530/31, the citizens of Ulm converted to Protestantism during the Reformation. Ulm Minster became a Lutheran church. In 1543 construction work was halted at a time when the steeple had reached a height of some 100 metres. The halt in the building process was caused by a variety of factors which were political and religious as well as economic. One result was economic stagnation and a steady decline, preventing major public expenditure.
In 1817 work resumed and the three steeples of the church were completed. Finally, on 31 May 1890 the building was completed.
A devastating air raid hit Ulm on 17 December 1944, which destroyed virtually the entire town west of the church to the railway station and north of the church up to the outskirts. The church itself was barely damaged. However, almost all the other buildings of the town square (Münsterplatz) were severely hit and some 80% of the medieval centre of Ulm was destroyed.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.