History of Germany between 1025 - 1124
The Salian dynasty was an age of four German Kings (1024–1125), Conrad II, Henry III, Henry IV, and Henry V. All of these kings were also crowned Holy Roman Emperor (1027–1125): the term Salic dynasty also applies to the Holy Roman Empire of the time as a separate term.
After the death of the last Saxon of the Ottonian Dynasty in 1024, first the elected German King and then three years later the elected position of Holy Roman Emperor both passed to the first monarch of the Salian dynasty in the person of Conrad II, the only son of Count Henry of Speyer and Adelheid of Alsace (both territories in the Franconia of the day). He was elected German King in 1024. Early in 1026 Conrad went to Milan, where Ariberto, archbishop of Milan, crowned him king of Italy. When Rudolph III, King of Burgundy died 1032, Conrad II also claimed this kingship on the basis of an inheritance Henry II had extorted from the former in 1006. Finally, he was crowned emperor of the Holy Roman Empire on 26 March 1027.
The four Salian kings of the dynasty ruled the Holy Roman Empire from 1027 to 1125, and firmly established their monarchy as a major European power. They achieved the development of a permanent administrative system based on a class of public officials answerable to the crown.
Already in 1028 Conrad II had his son Henry III elected and anointed king of Germany. Henry's tenure led to an overstatement of previously unknown sacral kingship. So during this reign Speyer Cathedral was expanded to be the largest church in Western Christendom. Henry's conception of a legitimate power of royal disposition in the duchies was successful against the dukes, and thus secured royal control. However in Lorraine, this led to years of conflict, from which Henry emerged as the winner. But also in southern Germany a powerful opposition group was formed in the years 1052-1055. 1046 Henry ended the papal schism, freed the Papacy from dependence on the Roman nobility, and laid the basis for its universal applicability. His early death in 1056 was long regarded as a disaster for the Empire.
The early Salians owed much of their success to their alliance with the Church, a policy begun by Otto I, which gave them the material support they needed to subdue rebellious dukes. In time, however, the Church came to regret this close relationship. The alliance broke down in 1075 during what came to be known as the Investiture Controversy (or Investiture Dispute), a struggle in which the reformist Pope, Gregory VII, demanded that Emperor Henry IV renounce his rights over the Church in Germany. The pope also attacked the concept of monarchy by divine right and gained the support of significant elements of the German nobility interested in limiting imperial absolutism. More important, the pope forbade ecclesiastical officials under pain of excommunication to support Henry as they had so freely done in the past. In the end, Henry IV journeyed to Canossa in northern Italy in 1077 to do penance and to receive absolution from the pope. However, he resumed the practice of lay investiture (appointment of religious officials by civil authorities) and arranged the election of an antipope (Antipope Clement III) in 1080.
The monarch's struggle with the papacy resulted in a war that ravaged through the Holy Roman Empire from 1077 until the Concordat of Worms in 1122. The reign of the last ruler of the Salian dynasty Henry V coincided with the final phase of the great Investiture Controversy, which had pitted pope against emperor. By the settlement of the Concordat of Worms, Henry V surrendered to the demands of the second generation of Gregorian reformers. This agreement stipulated that the pope would appoint high church officials but gave the German king the right to veto the papal choices. Imperial control of Italy was lost for a time, and the imperial crown became dependent on the political support of competing aristocratic factions. Feudalism also became more widespread as freemen sought protection by swearing allegiance to a lord. These powerful local rulers, having thereby acquired extensive territories and large military retinues, took over administration within their territories and organized it around an increasing number of castles. The most powerful of these local rulers came to be called princes rather than dukes.
According to the laws of the feudal system of the Holy Roman Empire, the king had no claims on the vassals of the other princes, only on those living within his family's territory. Lacking the support of the formerly independent vassals and weakened by the increasing hostility of the Church, the monarchy lost its pre-eminence. Thus the Investiture Contest strengthened local power in the Holy Roman Empire - in contrast to the trend in France and England, where centralized royal power grew. The Investiture Contest had an additional effect. The long struggle between emperor and pope hurt the Holy Roman Empire's intellectual life, in this period largely confined to monasteries, and the empire no longer led or even kept pace with developments occurring in France and Italy. For instance, no universities were founded in the Holy Roman Empire until the fourteenth century.
The first Hohenstaufen king Conrad III was a grandson of the Salian Henry IV, Holy Roman Emperor. Agnes, Henry IV's daughter and Henry V's sister, was the heiress of Salian dynasty's lands: her first marriage produced the royal and imperial Hohenstaufen dynasty and her second marriage the ducal Babenberg potentates of Duchy of Austria which was elevated much due to such connections Privilegium Minus.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.