History of Germany between 1025 - 1124
The Salian dynasty was an age of four German Kings (1024–1125), Conrad II, Henry III, Henry IV, and Henry V. All of these kings were also crowned Holy Roman Emperor (1027–1125): the term Salic dynasty also applies to the Holy Roman Empire of the time as a separate term.
After the death of the last Saxon of the Ottonian Dynasty in 1024, first the elected German King and then three years later the elected position of Holy Roman Emperor both passed to the first monarch of the Salian dynasty in the person of Conrad II, the only son of Count Henry of Speyer and Adelheid of Alsace (both territories in the Franconia of the day). He was elected German King in 1024. Early in 1026 Conrad went to Milan, where Ariberto, archbishop of Milan, crowned him king of Italy. When Rudolph III, King of Burgundy died 1032, Conrad II also claimed this kingship on the basis of an inheritance Henry II had extorted from the former in 1006. Finally, he was crowned emperor of the Holy Roman Empire on 26 March 1027.
The four Salian kings of the dynasty ruled the Holy Roman Empire from 1027 to 1125, and firmly established their monarchy as a major European power. They achieved the development of a permanent administrative system based on a class of public officials answerable to the crown.
Already in 1028 Conrad II had his son Henry III elected and anointed king of Germany. Henry's tenure led to an overstatement of previously unknown sacral kingship. So during this reign Speyer Cathedral was expanded to be the largest church in Western Christendom. Henry's conception of a legitimate power of royal disposition in the duchies was successful against the dukes, and thus secured royal control. However in Lorraine, this led to years of conflict, from which Henry emerged as the winner. But also in southern Germany a powerful opposition group was formed in the years 1052-1055. 1046 Henry ended the papal schism, freed the Papacy from dependence on the Roman nobility, and laid the basis for its universal applicability. His early death in 1056 was long regarded as a disaster for the Empire.
The early Salians owed much of their success to their alliance with the Church, a policy begun by Otto I, which gave them the material support they needed to subdue rebellious dukes. In time, however, the Church came to regret this close relationship. The alliance broke down in 1075 during what came to be known as the Investiture Controversy (or Investiture Dispute), a struggle in which the reformist Pope, Gregory VII, demanded that Emperor Henry IV renounce his rights over the Church in Germany. The pope also attacked the concept of monarchy by divine right and gained the support of significant elements of the German nobility interested in limiting imperial absolutism. More important, the pope forbade ecclesiastical officials under pain of excommunication to support Henry as they had so freely done in the past. In the end, Henry IV journeyed to Canossa in northern Italy in 1077 to do penance and to receive absolution from the pope. However, he resumed the practice of lay investiture (appointment of religious officials by civil authorities) and arranged the election of an antipope (Antipope Clement III) in 1080.
The monarch's struggle with the papacy resulted in a war that ravaged through the Holy Roman Empire from 1077 until the Concordat of Worms in 1122. The reign of the last ruler of the Salian dynasty Henry V coincided with the final phase of the great Investiture Controversy, which had pitted pope against emperor. By the settlement of the Concordat of Worms, Henry V surrendered to the demands of the second generation of Gregorian reformers. This agreement stipulated that the pope would appoint high church officials but gave the German king the right to veto the papal choices. Imperial control of Italy was lost for a time, and the imperial crown became dependent on the political support of competing aristocratic factions. Feudalism also became more widespread as freemen sought protection by swearing allegiance to a lord. These powerful local rulers, having thereby acquired extensive territories and large military retinues, took over administration within their territories and organized it around an increasing number of castles. The most powerful of these local rulers came to be called princes rather than dukes.
According to the laws of the feudal system of the Holy Roman Empire, the king had no claims on the vassals of the other princes, only on those living within his family's territory. Lacking the support of the formerly independent vassals and weakened by the increasing hostility of the Church, the monarchy lost its pre-eminence. Thus the Investiture Contest strengthened local power in the Holy Roman Empire - in contrast to the trend in France and England, where centralized royal power grew. The Investiture Contest had an additional effect. The long struggle between emperor and pope hurt the Holy Roman Empire's intellectual life, in this period largely confined to monasteries, and the empire no longer led or even kept pace with developments occurring in France and Italy. For instance, no universities were founded in the Holy Roman Empire until the fourteenth century.
The first Hohenstaufen king Conrad III was a grandson of the Salian Henry IV, Holy Roman Emperor. Agnes, Henry IV's daughter and Henry V's sister, was the heiress of Salian dynasty's lands: her first marriage produced the royal and imperial Hohenstaufen dynasty and her second marriage the ducal Babenberg potentates of Duchy of Austria which was elevated much due to such connections Privilegium Minus.
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.