The Igel Column is a multi-storeyed Roman sandstone column in the municipality of Igel, Trier, dated to c. 250 AD. The column represents a burial monument of the cloth merchant family of the Secundinii. Measuring 30 m in height, it is crowned by the sculptural group of Jupiter and Ganymede.

The column includes a four-stepped base, a relatively low podium, topped by a projecting cornice, a storey, its flat Corinthian pilasters with decorated shafts, supporting an architrave, a sculptured frieze and a heavy cornice. The bas-reliefs feature a procession of six coloni, bringing various donations to the house of their master. The coloni are received before the entrance to the atrium. The donations consist of a hare, two fish, a kid, an eel, a rooster and a basket of fruit. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site.

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Trierer Straße 39, Igel, Germany
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Details

Founded: c. 250 AD
Category: Statues in Germany
Historical period: Germanic Tribes (Germany)

Rating

4.3/5 (based on Google user reviews)

User Reviews

Luc Haas (2 years ago)
Friendly staff, good breakfast. Rooms on street side are very noisy, very noisy, and as there is no AC you need to keep the window open in summer. Room and bathroom would benifit from a refurbishment.
Jo Ke (2 years ago)
Must See.
Craig Davies (3 years ago)
Great food, fantastic service. I had the wildteller. Really really nice
Adrianell Poteet Sorrels (3 years ago)
Very cool. Only 3xpected the monument to be two stories tall, but it's about four. It's huge.
Wise one (5 years ago)
History
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The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.

In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians. The county became a privileged refuge for persecuted Cathars.

The castle, often besieged (notably by Simon de Montfort in 1211 and 1212), resisted assault and was only taken once, in 1486, thanks to treachery during the war between two branches of the Foix family.

From the 14th century, the Counts of Foix spent less and less time in the uncomfortable castle, preferring the Governors' Palace. From 1479, the Counts of Foix became Kings of Navarre and the last of them, made Henri IV of France, annexed his Pyrrenean lands to France.

As seat of the Governor of the Foix region from the 15th century, the castle continued to ensure the defence of the area, notably during the Wars of Religion. Alone of all the castles in the region, it was exempted from the destruction orders of Richelieu (1632-1638).

Until the Revolution, the fortress remained a garrison. Its life was brightened with grand receptions for its governors, including the Count of Tréville, captain of musketeers under Louis XIII and Marshal Philippe Henri de Ségur, one of Louis XVI's ministers. The Round Tower, built in the 15th century, is the most recent, the two square towers having been built before the 11th century. They served as a political and civil prison for four centuries until 1862.

Since 1930, the castle has housed the collections of the Ariège départemental museum. Sections on prehistory, Gallo-Roman and mediaeval archaeology tell the history of Ariège from ancient times. Currently, the museum is rearranging exhibits to concentrate on the history of the castle site so as to recreate the life of Foix at the time of the Counts.