Schloss Wolfegg

Wolfegg, Germany

Schloss Wolfegg is a Renaissance castle and the ancestral seat of the house of Waldburg-Wolfegg, which still owns it today. The main building of the castle consists of four wings arranged in the shape of a rectangle with towers in the corners. Its exterior design and layout dates back to Truchsess Jakob II. of Waldburg (1546–1589) and his wife Johanna (1548-1613). After a fire in 1578 destroyed an older building, they built a new castle. Parts of it however were destroyed in 1646, when Swedish troops under Carl Gustaf Wrangel ransacked the place near the end of the Thirty Years' War and laid fire to it.

Since the owner Maximilian Willibald of Waldburg-Wolfegg was short of funds, the restoration of the castle was delayed until 1651. From 1691 to 1700 the sculptor and plasterer Balthasar Kimmer of Wangen (1653–1702) redesigned the interior of the rooms with official and representative functions. In the 18th century some of the guest rooms were decorated in Rococo style. Towards the end of the 19th century the castle was extensively renovated again. The dining rooms received a new interior design and the castle's chapel was remodeled in a Neo-Gothic fashion.

Today the castle, which is still occupied by members of the Waldburg-Wolfegg family, is usually not accessible to the public. However once or twice a year public concerts are performed within the castle during which concert visitors can see some of the castle's inner room, in particular the Rittersaal (knights' hall). The Rittersaal is a large hall decorated in Baroque style featuring 24 life-sized wood sculptures and large ceiling mirrors. It is considered to be one of the most original room designs of the Baroque period in Germany. In addition to those rooms being used for concerts guided tours through other parts of the castle might be offered at that occasion.

The castle also hosts the Wolfegger Kabinett, a large collection of graphic art from the late Middle Ages and the Renaissance periods. In an edition of 1,000 issues the wall map of the world by the German cartographers Martin Waldseemüller and Matthias Ringmann was printed in early 16th century, where the continent and the name America appeared for the first time, originally published in April 1507. On account of the stormy development of the cartography in this epoche these specimens were fast outstripped by more detailed editions, so that the original edition fell quickly out of use and all issues got lost over time.

References:

Comments

Your name

Website (optional)



Details

Founded: 16th century
Category: Castles and fortifications in Germany
Historical period: Reformation & Wars of Religion (Germany)

More Information

en.wikipedia.org

Rating

4.4/5 (based on Google user reviews)

User Reviews

Bernhard McMillan (18 months ago)
Ludwig Waldburg (2 years ago)
Alois Maier (2 years ago)
Schloss ist privat und kann nur mit Genehmigung mit dem Fürstlichen Haus. Ich komme ins Schloß Arbeiten zum Arbeiten.
Aha Aha (4 years ago)
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Externsteine Stones

The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.

In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.

The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.

The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.