Schloss Wolfegg is a Renaissance castle and the ancestral seat of the house of Waldburg-Wolfegg, which still owns it today. The main building of the castle consists of four wings arranged in the shape of a rectangle with towers in the corners. Its exterior design and layout dates back to Truchsess Jakob II. of Waldburg (1546–1589) and his wife Johanna (1548-1613). After a fire in 1578 destroyed an older building, they built a new castle. Parts of it however were destroyed in 1646, when Swedish troops under Carl Gustaf Wrangel ransacked the place near the end of the Thirty Years' War and laid fire to it.
Since the owner Maximilian Willibald of Waldburg-Wolfegg was short of funds, the restoration of the castle was delayed until 1651. From 1691 to 1700 the sculptor and plasterer Balthasar Kimmer of Wangen (1653–1702) redesigned the interior of the rooms with official and representative functions. In the 18th century some of the guest rooms were decorated in Rococo style. Towards the end of the 19th century the castle was extensively renovated again. The dining rooms received a new interior design and the castle's chapel was remodeled in a Neo-Gothic fashion.
Today the castle, which is still occupied by members of the Waldburg-Wolfegg family, is usually not accessible to the public. However once or twice a year public concerts are performed within the castle during which concert visitors can see some of the castle's inner room, in particular the Rittersaal (knights' hall). The Rittersaal is a large hall decorated in Baroque style featuring 24 life-sized wood sculptures and large ceiling mirrors. It is considered to be one of the most original room designs of the Baroque period in Germany. In addition to those rooms being used for concerts guided tours through other parts of the castle might be offered at that occasion.
The castle also hosts the Wolfegger Kabinett, a large collection of graphic art from the late Middle Ages and the Renaissance periods. In an edition of 1,000 issues the wall map of the world by the German cartographers Martin Waldseemüller and Matthias Ringmann was printed in early 16th century, where the continent and the name America appeared for the first time, originally published in April 1507. On account of the stormy development of the cartography in this epoche these specimens were fast outstripped by more detailed editions, so that the original edition fell quickly out of use and all issues got lost over time.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.