The Roman Villa of Desenzano del Garda, with rich mosaics, is one of the residential buildings of the best preserved late Roman age of Northern Italy. A group of rooms with heating systems to cavity is from the first half of the 1st century AD, which probably belongs to the General system of the complex. In the first half of the 4th century, the mansion underwent a complete and organic reconstruction led to the creation of a wing used for representation, another mainly residential and a third character.
Archeological excavations reveal that the villa was destroyed by fire. The villa still retains the charm of the original glitz and one can still admire the remains of mosaics, walls and foundations. At the entrance of the villa stands a small museum where you can see the finds recovered from the excavations. These include the remains of the statues and portraits are very interesting and a mill for the pressing of grapes or olives. Inside the Museum a cockpit also allows you to see a hypocaust, a hypocaust that was part of a series of rooms with brick pillars on which rested the floor likely Augustan era.
The Roman Villa of Desenzano is divided into three sectors. In the field to include an octagonal vestibule from which you came to the beach and the Marina, the peristyle, a courtyard surrounded on all sides by porticos and adorned with statues, an atrium to forceps for came to the room triclinium with three aspes and representation. The triclinium was covered by a dome roof or barrel vaulted. The local and the peristyle were paved with mosaics showing geometric patterns and vegetal motifs which created colour effects. Probably in the Central apse of the triclinium there was a window from which you could see the viridarium, enclosed garden at the back by a fountain with niches. After a series of small rooms used in services there was the entrance to the villa from which there was the road separating the sector to sector b. In this sector, which underwent numerous transformations in Roman times, there are various clubs and residential environments have geometric mosaics supposedly dating to the late 3rd century or early 4th century after Christ.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.