The Goseck circle is a Neolithic circle structure. It may be the oldest and best known of the Circular Enclosures associated with the Central European Neolithic. It also may be one of the oldest Solar observatories in the world. It consists of a set of concentric ditches 75 metres across and two palisade rings containing gates in places aligned with sunrise and sunset on the solstice days.
Its construction is dated to c. 4900 BC, and it seems to have remained in use until 4600 BC. This corresponds to the transitional phase between the Neolithic Linear Pottery and Stroke-ornamented ware cultures. It is one of a larger group of so-called Circular Enclosures in the Elbe and Danube region, most of which show similar alignments.
Excavators also found the remains of what may have been ritual fires, animal and human bones, and a headless skeleton near the southeastern gate, that could be interpreted as traces of human sacrifice or specific burial ritual. There is no sign of fire or of other destruction, so why the site was abandoned is unknown. Later villagers built a defensive moat following the ditches of the old enclosure.
The Goseck ring is one of the best preserved and extensively investigated of the many similar structures built at around the same time. Traces of the original configuration reveal that the Goseck ring consisted of four concentric circles, a mound, a ditch, and two wooden palisades. The palisades had three sets of gates facing southeast, southwest, and north. At the winter solstice, observers at the center would have seen the sun rise and set through the southeast and southwest gates.
Archaeologists generally agree that Goseck circle was used for observation of the course of the Sun in the course of the solar year. Together with calendar calculations, it allowed coordinating an easily judged lunar calendar with the more demanding measurements of a solar calendar.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.