Nobbin village is best known for the megalithic tomb known as the Riesenberg. The tomb was constructed of glacial erratic boulders and dates back to the New Stone Age in Rügen. It is one of the largest stone graves in North Germany and lies just a few metres from the steep coast on the bay of Tromper Wiek, immediately by the cliff top path.
The trapezoidal enclosure, which originally had 53 large boundary stones, is 34 metres long and 8 to 11 metres wide (39 stones have survived). In the north-east were two transverse dolmens, of which only one is well preserved. It is 1.4 metres high, 1.8 metres long and 1.1 metres wide. On the southwest side two guardian stones in front of the enclosure rise to a height of over 3 metres, otherwise they are typical, especially of Scandinavian dolmens, but also similar in dimensions to the Dolmens of Dwasieden and those in Dummertevitz on Rügen. The presence of guardian stones is rare in Germany, but is explained by the proximity of the site to the Danish islands.
During excavations in 1970 by Ewald Schuldt, Neolithic finds were made: three crosscutting arrowheads, a sword, some broken vessels and a few bone fragments (including two skulls). In the northern grave chamber were the remains of an urn burial from the 5th century BC. Between the guardian stones were shards of pottery from the Slavic era Rani tribe and an Arabic silver coin from the 9th century, amongst other things.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.