The Château d'Écouen was built between 1538 and 1550 by the architect Jean Bullant for Anne de Montmorency, who was made Connétable de France in 1538. Anne de Montmorency had inherited the château in 1515, and his building campaigns were informed by his first-hand experience in overseeing royal works at Saint-Germain-en-Laye and Fontainebleau.
Anne de Montmorency was a major patron of the arts in France, and a protector of artists: his chapel was decorated with sculptures by Jean Goujon, and Jean Bullant, Barthélemy Prieur, Bernard Palissy. Some of the Androuet du Cerceau family found protection and work at Écouen. Unhappily, no building accounts survive, so the precise sequence of the construction cannot be closely followed; panels of grisaille stained glass in the gallery of the west wing are dated 1542 and 1544, and the east wing was paved in 1549-50. The building was frescoed and furnished during the 1550s, in the style of the School of Fontainebleau.
In 1787 the east (entrance) wing was demolished by the owner, the Louis Joseph de Bourbon, prince de Condé. When he emigrated at the Revolution, Château of Écouen fell to the State, as a 'national property'.
Following an idea of André Malraux the castle was thoroughly renovated by architects of the Monuments Historiques, after having served as a school for daughters of chevaliers of the Légion d'Honneur, from 1807 to 1962, in order to house the Musée de la Renaissance, comprising the Renaissance objects of the collections of the Musée de Cluny, in sympathetic surroundings. A series of small, highly focussed exhibitions have been staged at Écouen over the years since the museum fully opened in 1982.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.