The Notre Dame de Paris stands on the site of Paris' first Christian church, Saint Etienne basilica, which was itself built on the site of a Roman temple to Jupiter. The first church was built by Childebert I, the king of the Franks, in 528, and was already the cathedral of the city of Paris in the 10th century. However, in 1160, having become the 'parish church of the kings of Europe,' Bishop Maurice de Sully deemed the building unworthy of its lofty role, and had it demolished.
The Construction on the current cathedral began in 1163, during the reign of Louis VII, and opinion differs as to whether Bishop Maurice de Sully or Pope Alexander III laid the foundation stone of the cathedral. Construction of the west front, with its distinctive two towers, began in around 1200 before the nave had been completed. Over the construction period, numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. Between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers. The towers were finished around 1245 and the cathedral was finally completed around 1345.
During the reigns of Louis XIV and Louis XV at the end of the 17th century the cathedral underwent major alterations, during which many tombs and stained glass windows were destroyed. In 1793, the cathedral fell victim to the French Revolution. Many sculptures and treasures were destroyed or plundered; the cathedral was rededicated to the Cult of Reason and later to the Cult of the Supreme Being. Lady Liberty replaced the Virgin Mary on several altars. The cathedral also came to be used as a warehouse for the storage of food.
A restoration program was initiated in 1845, overseen by architects Jean-Baptiste-Antoine Lassus and Eugene Viollet-le-Duc. The restoration lasted 23 years, and included the construction of a spire.
In 1871, a civil uprising leading to the establishment of the short-lived Paris Commune nearly set fire to the cathedral, and some records suggest that a mount of chairs within the cathedral were set alight. In 1905, the law of separation of Church and State was passed; as all cathedrals, Notre-Dame remains state property, but its use is granted to the Roman Catholic Church.
The Te Deum Mass took place in the cathedral to celebrate the liberation of Paris in August 26, 1944. The Requiem Mass of General Charles de Gaulle took place in the cathedral on November 12, 1970.
Notre-Dame de Paris was among the first buildings in the world to use the flying buttress (arched exterior supports). The building was not originally designed to include the flying buttresses around the choir and nave but after the construction began, the thinner walls (popularized in the Gothic style) grew ever higher and stress fractures began to occur as the walls pushed outward. In response, the cathedral"s architects built supports around the outside walls, and later additions continued the pattern.
The west front of the cathedral is one of its most notable features, with its two 69-meter tall towers. The South Tower houses the cathedral"s famous bell, 'Emmanuel.' The bell weighs 13 tons. The bell is Notre-Dame"s oldest, having been recast in 1631.
The King's Gallery is a line of statues of the 28 Kings of Judah and Israel, which was redesigned by Viollet-le-Duc to replace the statues destroyed during the French Revolution. The revolutionaries mistakenly believed the statues to be French kings instead of biblical kings, so they decapitated them. Some of the heads were found during a 1977 excavation nearby and are now on display at the Museum of the Middle Ages.
The beautiful West Rose Window dates from about 1220. See the section on Notre Dame"s windows below for more details.
The three west portals of Notre Dame Cathedral are magnificent examples of early Gothic art, sculpted between 1200 and 1240. Many of the statues, especially the larger ones, were destroyed in the Revolution and remade in the 19th century.
Notre-Dame fire broke out on 15 April 2019, in the roof, causing severe damage to the building. The cathedral's spire and roof collapsed, and considerable damage was sustained to the interior, upper walls, and windows of the church, as well as numerous works of art. The stone ceiling vault beneath the roof prevented most of the fire from descending into the interior of the cathedral below, which ultimately saved the building from further damage.References:
Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.
At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.
During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.
In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.
The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.
The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.
After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.
When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.