The present Château de La Roche-Guyon was built in the 12th century, controlling a river crossing of the Seine. In the mid-13th century, a fortified manor house was added below. Guy de La Roche fell at the Battle of Agincourt, and his widow was ousted from the Roche, after six months of siege, in 1419; she preferred to depart rather than accept Henry Plantagenet as her overlord. It came to the Liancourt family with the marriage of Roger de Plessis-Liancourt to the heiress Marie de La Roche; he was a childhood companion of Louis XIII, first gentleman of the Chambre du Roi, and was made a duke in 1643. He and his wife made great changes to the château-bas, opening windows in its structure and laying out the terrace to the east, partly cut into the mountain's steep slope.
The domain of La Roche-Guyon came to the La Rochefoucauld family in 1669, with the marriage of Jeanne-Charlotte de Plessis-Liancourt with François VII de La Rochefoucauld. The Château retained its medieval aspect of a fortress, with its moat and towers and cramped, dark living apartments. The Château was largely extended in the 18th century.
After D-Day in World War II, German Field Marshal Erwin Rommel defended Normandy against the Allies in World War II from a bunker located here. The castle also was Rommel's headquarters.
Restorations and archaeological surveys undertaken after 1990 by the Conservatoire régional des Monuments historiques revealed new additions to the documentary history of La Roche-Guyon, undertaken in the 19th century by Hippolyte Alexandre and Emile Rousse.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.