Kildonan Castle stands on the southern coast of the Isle of Arran. The castle's name is derived from the name of a former resident, Saint Donan, who is said to be buried on the island. It was built in the 13th century by the MacDonalds, the Lords of the Isles. The castle stands on the cliffs, overlooking the island of Pladda and the entrance to the Firth of Clyde. It was built to defend against enemies attacking through the Firth. The castle was used as a hunting lodge by the Kings of Scotland, including Robert III, when the island belonged to the crown. The castle became the property of the Earls of Arran in 1544.
Kildonan castle stands out on the old raised beach behind and above the village. It was once, with Lochranza Castle and Brodick Castle, one of three fortresses guarding Arran's strategically important position in the approaches to the Clyde. Today's Kildonan Castle is only a shadow of its former self, but still reflects its origins as a 13th Century keep.
The castle was originally built by the Lords of the Isles, but by 1406 was in the ownership of Robert III, who in that year passed it on to his illegitimate son, John Stewart of Ardgowan. In 1544 it was acquired by the Hamilton family, the Earls of Arran.
Kildonan Castle has long been ivy clad and unstable, making close examination a dangerous proposition. It also stands in the garden of a house, meaning that it can only be seen from a nearby right of way leading to the beach. Not far from the castle is an increasingly ruinous lookout tower, a relic from Kildonan's days as the location of Arran's only Coastguard station, which moved to Lamlash in 1981.References:
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.