The Church of St. Michael is an early-Romanesque church in Hildesheim. It has been on the UNESCO World Cultural Heritage list since 1985 together with near St. Mary's Cathedral.
Bishop Bernward of Hildesheim (996-1022) built a Benedictine monastery from the ground up on a hill near the city walls. Bernward set the first stone for the new church in 1010 and dedicated the still unfinished building to Michael on the archangel's feast day, 29 September 1022, just a few weeks before his death. Construction, however, continued under his successor, Bishop Godehard (died 1038), who completed the work in 1031 and reconsecrated the church to Michael on September 29 of that year. The church has double choirs east and west, double tripartite transepts at either end of the nave, and six towers - two large ones over the crossings east and west, and four other tall and narrow ones attached to the small sides of the two transepts. The eastern choir featured three apses, and the west had a deep chapel with a huge single apse rising high over an elaborate cross-vaulted hall crypt with an ambulatory. Bishop Bernward's remains were placed in the western crypt.
The monastery comprised a church family and had two other sanctuaries dedicated to Martin and the Holy Cross lying in the cloister that extended northward from St. Michael's north flank. The monastery and church opened southward toward the city of Hildesheim, its south flank comprising a 'facade' of a sort. It seems likely that the monastery on the Hill of St. Michael was surrounded by a wall.
In 1186, after a reconstruction following a fire, Hildesheim's Bishop Adelog of Dorstedt - assisted by Tammo, Prince-Bishop of Verden - reconsecrated St. Michael's.
When the people of Hildesheim became Protestant in 1542, St. Michael's became Lutheran, but the Benedictine monastery operated here until it was secularized in 1803. Monks continued to use the church, especially its western choir and crypt, down to that moment.
St. Michael's Church was destroyed in an air raid during World War II on 22 March 1945, but reconstruction was begun in 1950 and completed in 1957. In 1985, the church became a UNESCO World Cultural Heritage site, along with the Cathedral of Hildesheim, its collection of medieval treasures and its 1000-year-old rosebush.
The church is one of the most important churches of early Christian period Architecture. It is a double-choir basilica with two transepts and a square tower at each crossing. The west choir is emphasized by an ambulatory and a crypt. The ground plan of the building follows a geometrical conception, in which the square of the transept crossing in the ground plan constitutes the key measuring unit for the entire church. The square units are defined by the alternation of columns and piers.
The famous bronze doors of Bishop Bernward seem likely to have decorated the larger entryway on St. Michael's south aisle flank, that is, the entryway near the western transept. (A smaller entryway could be found in the same south aisle flank toward the eastern transept).
The painted wooden ceiling in the nave (around 1230) shows the genealogy of Christ.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.