Płock Cathedral, or the Cathedral of the Blessed Virgin Mary of Masovia, is an example of Romanesque architecture. The bishopric in Płock was founded about 1075. The first definite reference to the cathedral is in 1102, when Władysław I Herman was buried there. The present Romanesque cathedral was built after 1129 by prince Bolesław III and Bishop Aleksander of Malonne. This was a rebuilding following a fire and took from 1136 until 1144. It was consecrated in 1144 as the Church of the Blessed Virgin Mary. The original bronze doors of the Romanesque cathedral (now in Velikiy Novgorod) have figurative bas-reliefs depicting the verses of the so-called 'Roman Confession of Faith', and the figure of Alexander of Malonne, bishop of Płock. The doors were made in the Magdeburg workshop about 1150. In the cathedral there is now a bronze replica of the doors, made in the 1980s. In the Royal Chapel on the north side of the cathedral is a marble sarcophagus forming the tomb of two Polish rulers, Władysław I Herman and his son Bolesław III Wrymouth.
Following a major fire in 1530, the building was reconstructed by Bishop Andzej Krzycki as a new Renaissance style church (1531–1535). This was the first large Renaissance style cathedral in Poland, although it reused granite ashlar portions of the Romanesque basilica. The architects were Bernardino de Gianotis from Rome, Giovanni Cini da Siena and Philippo da Fiesole. The layout of the new cathedral was based on the Renaissance basilicas of Rome (Sant'Agostino, Santa Maria del Popolo). However the external architecture remains in the style of North Italian brick churches, more similar to local late Gothic ones in Masovia, and may be the result of rebuilding work about 1560 by Giovanni Battista of Venice, who added the spacious choir and two western towers.
The building was restored in 1903, when the present front elevation facing west and the towers was re-designed by the architect in charge of the restoration, Stefan Szyller. Between the world wars, the interior was decorated with additional frescoes by Władysław Drapiewski and Czesław Idźkiewicz, local student of Józef Mehoffer graduating from the Academy in Kraków.References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.