Tas-Silġ is a rounded hilltop overlooking Marsaxlokk Bay. It is a multi-period sanctuary site covering all eras from Neolithic to the fourth century AD, and due to this it indicates to archaeologists several different layers of excavation.
The area was first inhabited when a temple was built in the Tarxien phase of Maltese prehistory, sometime around 3000 to 2500 BC. Few remains from the original temple can be seen, but the scatter of megaliths over the hill suggests that there was a large complex with at least 3 temples and possibly a village surrounding it. A D-shaped setting of large blocks that was part of the four-apsed temple still exists as it was later incorporated into the other buildings on the site. In the Bronze Age, the temple was probably converted into a settlement, as had been done in other sites such as Borġ in-Nadur.
In the deepest layer of deposits, archaeologists found various artifacts including pottery, lithics, and a standing fat lady. From the Bronze Age layer, some sherds, stone tools and pottery were found. Other evidence from the Bronze Age consists of the large amount of handiwork.
After the Phoenicians took over Malta in around 700 BC, they built a Punic temple to Astarte incorporating upstanding remains of the earlier temple. A forward extension was added to the curved facade, and a monumental doorway flanked with two pilasters and topped by a huge stone slab was built. The sanctuary"s importance eventually grew and a portico was added around 300 BC. Some parts of the temple, including a tower, might have been designed as a fortification to help defend it from possible invaders.
A threshold slab pierced by three libation holes that divided the eastern part of the temple and the western side, as well as a series of ashlar foundation walls for a platform built to the south of the main sanctuary still exist. Around this area, various remains were found including pottery, ash, animal bones, coins and shreds. Some of these shreds have votive inscriptions. It is claimed that the Cippi of Melqart might have originally been at the Tas-Silġ temple, but their origin is disputed.
In the Roman era, the Punic temple was converted into a sanctuary of Juno, which was the Roman equivalent to Astarte. In 70 BC, Cicero mentioned the temple in his Verrine Orations, in which he said that the temple was revered by everyone including pirates and Numidian princes, but the Roman Governor of Sicily had stolen some of its treasures. Some Roman material was discovered in various deposits around a well in the lower terrace of Tas-Silġ.
Large water storage areas under Tas-Silġ were recently found and mapped, and they probably date to the Punic or Roman eras.
Later on, in the 4th or 5th centuries AD, a Byzantine monastery were built over the remains of the previous temples. The church had a central nave separated from the aisles by two rows of columns, and a small baptismal font was constructed in what was originally the megalithic temple. Some remains of sculpture were found, including a worn female marble head and an ivory capital with a hanging palmette. Pottery from this period was also found, including amphorae and locally made plates and other items.
During the Byzantine period, it may be that the fat lady was deliberately defaced and buried in a hollow.
In the 8th century, defensive walls were hastily built around the monastery at Tas-Silġ.
The monastery was abandoned soon after the Arabs occupied Malta in 870 AD. The site was turned into a quarry and stones from the original structure were removed. In the medieval period farms were built on the area, and rubble walls from this era still exist. The whole site was buried under a metre of soil before being excavated.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.