Tas-Silġ is a rounded hilltop overlooking Marsaxlokk Bay. It is a multi-period sanctuary site covering all eras from Neolithic to the fourth century AD, and due to this it indicates to archaeologists several different layers of excavation.
The area was first inhabited when a temple was built in the Tarxien phase of Maltese prehistory, sometime around 3000 to 2500 BC. Few remains from the original temple can be seen, but the scatter of megaliths over the hill suggests that there was a large complex with at least 3 temples and possibly a village surrounding it. A D-shaped setting of large blocks that was part of the four-apsed temple still exists as it was later incorporated into the other buildings on the site. In the Bronze Age, the temple was probably converted into a settlement, as had been done in other sites such as Borġ in-Nadur.
In the deepest layer of deposits, archaeologists found various artifacts including pottery, lithics, and a standing fat lady. From the Bronze Age layer, some sherds, stone tools and pottery were found. Other evidence from the Bronze Age consists of the large amount of handiwork.
After the Phoenicians took over Malta in around 700 BC, they built a Punic temple to Astarte incorporating upstanding remains of the earlier temple. A forward extension was added to the curved facade, and a monumental doorway flanked with two pilasters and topped by a huge stone slab was built. The sanctuary"s importance eventually grew and a portico was added around 300 BC. Some parts of the temple, including a tower, might have been designed as a fortification to help defend it from possible invaders.
A threshold slab pierced by three libation holes that divided the eastern part of the temple and the western side, as well as a series of ashlar foundation walls for a platform built to the south of the main sanctuary still exist. Around this area, various remains were found including pottery, ash, animal bones, coins and shreds. Some of these shreds have votive inscriptions. It is claimed that the Cippi of Melqart might have originally been at the Tas-Silġ temple, but their origin is disputed.
In the Roman era, the Punic temple was converted into a sanctuary of Juno, which was the Roman equivalent to Astarte. In 70 BC, Cicero mentioned the temple in his Verrine Orations, in which he said that the temple was revered by everyone including pirates and Numidian princes, but the Roman Governor of Sicily had stolen some of its treasures. Some Roman material was discovered in various deposits around a well in the lower terrace of Tas-Silġ.
Large water storage areas under Tas-Silġ were recently found and mapped, and they probably date to the Punic or Roman eras.
Later on, in the 4th or 5th centuries AD, a Byzantine monastery were built over the remains of the previous temples. The church had a central nave separated from the aisles by two rows of columns, and a small baptismal font was constructed in what was originally the megalithic temple. Some remains of sculpture were found, including a worn female marble head and an ivory capital with a hanging palmette. Pottery from this period was also found, including amphorae and locally made plates and other items.
During the Byzantine period, it may be that the fat lady was deliberately defaced and buried in a hollow.
In the 8th century, defensive walls were hastily built around the monastery at Tas-Silġ.
The monastery was abandoned soon after the Arabs occupied Malta in 870 AD. The site was turned into a quarry and stones from the original structure were removed. In the medieval period farms were built on the area, and rubble walls from this era still exist. The whole site was buried under a metre of soil before being excavated.References:
Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.
At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.
During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.
In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.
The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.
The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.
After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.
When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.