The Grandmaster's Palace was built in the 16th century as the palace of the Grand Master of the Order of St. John, who ruled Malta, and was also known as the Magisterial Palace. It currently houses the Office of the President of Malta, and part of it is open to the public as a museum.
The Grandmaster's Palace was originally built in 1569, as the palace of Eustachio del Monte. It was purchased by Grand Master Jean de la Cassière in the 1570s, and was enlarged into his own residence by the architect Girolamo Cassar. It was further enlarged and embellished by successive Grand Masters, and its present configuration dates back to around the mid-18th century.
In 1800, Malta was taken over by Britain, and the island eventually became a crown colony. The Grandmaster's Palace became the official residence of the Governor of Malta, and it became known as the Governor's Palace.
The palace's Tapestry Hall became the meeting place of the Parliament of Malta in 1921, and it continued to serve as such until 1976, when the parliament moved in the former armoury, also within the palace. The House of Representatives moved out of the Grandmaster's Palace to the purpose-built Parliament House on 4 May 2015.
The Grandmaster's Palace was originally built with Mannerist characteristics typical of its architect Girolamo Cassar. Its façade is simple but severe, and is characterized by two large doorways and long wooden balconies at each corner. The balconies and doorways did not form part of the original palace, but were later additions. Apart from the two entrances in St. George's Square, there is a third entrance from Piazza Regina (Republic Square) just west of the National Library.
The palace is built around two courtyards, one of which is dominated by a statue of Neptune. The entrance to the state rooms is in the Neptune Courtyard via a spiral staircase. The ceiling of this entrance was painted by Nicolau Nasoni in 1724.
The Armoury, which houses one of the finest collections of weapons of the period of the Knights of Malta, runs the width of the back of the palace. Spears, swords, shields, heavy armour and other weapons are on display. Examples include parade armour of various Grand Masters including Jean Parisot de Valette and Alof de Wignacourt, and Dragut's own sword.
The Throne Room was built during the reign of Grandmaster Jean de la Cassière. It was used by successive Grandmasters to host ambassadors and visiting high ranking dignitaries. During the British administration it became known as the Hall of Saint Michael and Saint George after the Order of St Michael and St George which was founded in 1818 in Malta and the Ionian Islands. It is currently used for state functions held by the President of Malta.
The cycle of wall paintings decorating the upper part of the hall are the work Matteo Perez d'Aleccio and represent various episodes of the Great Siege of Malta. The coat-of-arms of Grand Master Jean de Valette on the wall recess behind the minstrels gallery was painted by Giuseppe Calì.
In 1818, the British transformed this hall by completely covering the walls with neo-classical architectural features designed by Lieutenant-Colonel George Whitmore. These were removed in the early 20th century. The minstrel's gallery is thought to have been relocated to this hall from the palace chapel which was probably its original location. Of particular interest is the original coffered ceiling and the late 18th century-style chandeliers.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.