Banz Abbey, now known as Schloss Banz, is a former Benedictine monastery. It was founded in about 1070 by Countess Alberada of Schweinfurt and her husband, Count Hermann of Habsberg-Kastl, and until the secularisation of 1803 was the oldest monastery on the upper Main. In the late Middle Ages and until 1575 only members of the nobility were accepted as monks.
After the Thirty Years' War the abbey had to be re-built. The abbots Eucharius Weiner and Kilian Düring commissioned Johann Leonhard Dientzenhofer and after his death in 1707, his brother Johann Dientzenhofer. Construction began in 1698. The church, built in of Baroque style, was consecrated in 1719. The interior is unexpectedly built, not with right angles, but with a series of ellipses. The main altar, the chancel and the statues of saints in the church and on the facade are by Balthasar Esterbauer; the ceiling frescoes are by Melchior Steidl. The choir stalls were made by the court cabinet maker and ebonist of Schönborn, Johann Georg Nesstfell.
In the second half of the 18th century Banz Abbey was known throughout the Holy Roman Empire as a place of Catholic enlightenment and for the scholarship of its monks. This did not save it from secularisation and dissolution in 1803.
In 1813 Duke Wilhelm in Bavaria, acquired the former abbey premises, which were thereafter known as Schloss Banz.
In 1933 Duke Ludwig Wilhelm in Bavaria, sold the buildings to the Community of the Holy Angels, an order dedicated to the spiritual care of expatriate Germans. Since 1978 the former monastery has been in the possession of the Hanns Seidel Foundation, an organisation closely associated with the political party the CSU in Bavaria, and is used as a conference centre. It also accommodates a collection of fossils and other curiosities, such as Egyptian mummies.
The estate of the former monastery, including vast forests, is today owned by Duke Max Emanuel's eldest daughter Sophie, Hereditary Princess of Liechtenstein.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.