Waldsassen Abbey was founded by Gerwich of Wolmundstein, a Benedictine monk of Sigeberg Abbey, with the permission of his former abbot Kuno, then Bishop of Regensburg, and built between 1128 and 1132. The original community was sent to Waldsassen from Volkenroda Abbey in Thuringia, of the line of Morimond Abbey.
The first abbot was elected in 1133, making this one of the earliest Cistercian foundations. Soon the abbey became one of the most renowned and powerful of the times. In 1147, Conrad III, King of Germany, granted it reichsunmittelbar status, making it an Imperial abbey. Several of its thirty-seven abbots up to the Reformation were noted for sanctity and learning; of them, Herman, the seventh abbot, and John, the seventeenth, as well as Gerwich, its founder, and Wigand, the first prior, are commemorated in the menology.
From the middle of the 14th century, Waldsassen alternated between periods of prosperity and decline. Wars, famines, excessive taxation, and persecution by the Hussites made it suffer much. During the Bavarian War (1504) the monastery, church and farm-buildings were burned, but immediately afterwards rebuilt, and the new church was consecrated in 1517.
In 1525, during the German Peasants' War, part of the buildings were again destroyed, and were restored by Georg III (1531–37), the last of the first series of abbots.
From 1537 to 1560 in the course of the Reformation administrators were appointed by the civil authorities: Frederick III, Elector Palatine, named his brother Richard for this office. The monks were then forced to apostatize or flee, or were put to death. As a result, in 1543, the abbey lost its imperial immediacy to the Electorate of the Palatinate. For about a hundred years it remained in this condition, during which time it was almost completely burned down in the Thirty Years' War.
After the Peace of Westphalia Roman Catholicism was restored in Bavaria. In 1669, Waldsassen was restored to the Cistercians, and in 1690 Albrecht, first of the second series of abbots (who were six in number), was elected, regaining control of the abbey, but not its Reichsfreiheit. The buildings were sumptuously rebuilt in Baroque style after 1681, and the number of the monks again became considerable. The abbey became well known for its hospitality, particularly during the famines of 1702–03 and 1772–73, and during the French Revolution. Under Abbot Athanasius (1793–1803) science and learning were highly cultivated.
When the monastery was dissolved and secularised in 1803 it had over eighty members, who were dispersed with state pensions from the Electorate of Bavaria. The abbey was sold, and used as a factory for making cotton.
In 1863, the remains of the old abbey were bought by the Cistercian nuns of Seligenthal, who in the following year took possession, established monastic enclosure, and opened an institute for the education of girls. At first a priory, the nunnery was raised to the status of an abbey in 1925. The Stiftsbasilika was declared a basilica minor in 1969.
The library was built in 1724-1726 in late Baroque and early Rococo style. Richly and intricately carved shelves hold thousands of volumes bound in white pigskin and dark calfskin. Ten carved columns support a balustraded mezzanine with more shelves above. These ten columns are carved in the shape of allegorical figures, grotesque men bent under their burden of supporting the mezzanine level but also burdened by human foibles such as vanity, ignorance and boastfulness.
The library hall is maintained by nuns of the Cistercian Sisterhood. Part of the former monastic premises now accommodates an International Ceramics Museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.