Josefov is a town quarter of Prague, formerly the Jewish ghetto of the town. It is completely surrounded by Old Town. The quarter is often represented by the flag of Prague's Jewish community, a yellow Magen David (Star of David) on a red field.
Jews are believed to have settled in Prague as early as the 10th century. The first pogrom was in 1096 (the first crusade) and eventually they were concentrated within a walled Ghetto. In 1262 Přemysl Otakar II issued a Statuta Judaeorum which granted the community a degree of self-administration. In 1389 one of the worst pogroms saw some 1,500 massacred at Easter Sunday. The ghetto was most prosperous towards the end of the 16th century when the Jewish Mayor, Mordecai Maisel, became the Minister of Finance and a very wealthy man. His money helped develop the ghetto. Around this time the Maharal was supposed to create the Golem.
In 1850 the quarter was renamed Josefstadt (Joseph's City) after Joseph II, Holy Roman Emperor who emancipated Jews with the Toleration Edict in 1781. Two years before Jews were allowed to settle outside of the city, so the share of the Jewish population in Josefov decreased, while only orthodox and poor Jews remained living there.
Most of the quarter was demolished between 1893 and 1913 as part of an initiative to model the city on Paris. What was left were only six synagogues, the old cemetery, and the Old Jewish Town Hall (now all part of the Jewish Museum in Prague and described below).
Currently Josefov is overbuilt with buildings from the beginning of the 20th century, so it is difficult to appreciate exactly what the old quarter was like when it was reputed to have over 18,000 inhabitants. Medieval Josefov is depicted in the 1920 film The Golem, composed of cramped, angular, squinted buildings, but this impression is used purely to convey the expressionist nature of the film.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.