The Jan Hus Memorial stands at one end of Old Town Square. The huge monument depicts victorious Hussite warriors and Protestants who were forced into exile 200 years after Hus, and a young mother who symbolises national rebirth. The monument was so large that the sculptor designed and built his own villa and studio where the work could be carried out. It was unveiled in 1915 to commemorate the 500th anniversary of Jan Hus' martyrdom. The memorial was designed by Ladislav Šaloun and paid for solely by public donations.
Born in 1369, Hus became an influential religious thinker, philosopher, and reformer in Prague. He was a key predecessor to the Protestant movement of the sixteenth century. In his works he criticized religious moral decay of the Catholic Church. Accordingly, the Czech patriot Hus believed that mass should be given in the vernacular, or local language, rather than in Latin. He was inspired by the teachings of John Wycliffe. In the following century, Hus was followed by many other reformers - e.g. Martin Luther, John Calvin and Huldrych Zwingli. Hus was ultimately condemned by the Council of Constance and burned at the stake in 1415. This led to the Hussite Wars.
To the people of Bohemia and other regions around Prague, Jan Hus became a symbol of dissidence and a symbol of strength against oppressive regimes. His opposition to church control by the Vatican gave strength to those who opposed control of Czech lands by the Habsburgs in the 19th century, and Hus soon became a symbol of anti-Habsburg rule. He is said to stand arrogantly in the square in defiance of the cathedral before him. In 1918, a Marian Column that had been erected in the square shortly after the Thirty Years' War was demolished in celebration of independence from the Habsburg empire.
When Czechoslovakia was under Communist rule, sitting at the feet of the Jan Hus memorial became a way of quietly expressing their opinion and opposition against the Communist rule.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.