Wallenstein palace is the first large secular palace of the Baroque era. The original Palace was built in years 1623-1630 by Albrecht von Wallenstein, Duke of Mecklenburg (1583-1634), who made his name and fortune as the Commander-in-Chief of the Imperial forces in the Thirty Years War. Emperor Ferdinand II feared Albrecht of Wallenstein’s calculating mind and had him assassinated in 1634 in the town of Eger (now Cheb). He lived in the palace for only a year before his death. His widow sold it to his nephew and it remained in the Wallenstein family until 1945. After the Second World War, the palace became Czechoslovak state property and was renovated to house government offices. Today, the Senate of the Czech Republic operates out of the main palace buildings. The Riding School is used as a branch of the National Gallery in Prague. The challenging restoration of the main building began in mid-1999. The most valuable parts of this building in historical and artistic terms are the Main Hall, the Knights' Hall, the Antechamber, the Audience Hall and the Mythological and Astronomical Corridors.
The main wing of Wallenstein palace was largely a reconstruction of the Trcka residence. It incorporates both late renaissance and Nordic mannerism which is expressed in the portals and Netherlandish dormer-windows. Initially, in keeping with the architectural style, the Main Hall was decorated with tapestries and furniture ordered from Italy and the Netherlands. Much of the original furnishings were looted either in 1648 by the Swedes or 1742 by the French.
The west wing of the complex hosts the Main Hall, that rises to the height of two stories. The Duke is depicted, in the middle ceiling fresco as the god of war, Mars, riding in a war chariot drawn by a team of horses. In the painting, the Duke is holding the reins of four horses while Mars is usually seen only holding three horses. The stucco work depicting weapons, war trophies and musical instruments were probably made by Santino Galli and Domenico Canevalle. When the wing was built, it was the second largest hall after the Spanish hall of Prague Castle with an area of 288 meters squared and a height of 10.5 meters. This is original façade was altered in the mid nineteenth century to include marble portals from the Cerninsky palace and the entire hall was rebuilt as a barracks.
Originally tile stoves placed in each room heated the palace. The tile in the Antechamber was used later to line the fireplace. Guests waited in the antechamber to be granted audience with the Duke. Due to an adaptation in the 19th century, it is a kind of Mirror Hall with two Venetian mirrors made in the 18th century on the Italian island of Murano. The only objects original to the room are a set of four chests used by the Duke to hold his wardrobe. They are Italian chests made around the turn of the 17th century.
The palace chapel is two stories high and richly decorated with scenes from the legend of St Wenceslas. Cabinet-maker and woodcarver Arnošt Jan Heidelberger constructed the chapel altar in 1630. Its construction marked the first Baroque monument of its kind in Prague and the beginning of the Baroque age in the Czech lands.
The garden was created at the same time as the Wallenstein Palace in the early 17th century, in the lower part of the Malá Strana District. It displays a fine example of Mannerist layout and decoration, with very diverse sections. It is dominated by an aisle lined with bronze sculptures, an impressive Sala Terrena and an amazing artificial grotto.References:
Trullhalsar is a very well-preserved and restored burial field dating back to the Roman Iron Ages (0-400 AD) and Vendel period (550-800 AD). There are over 340 different kind of graves like round stones (called judgement rings), ship settings, tumuli and a viking-age picture stone (700 AD).
There are 291 graves of this type within the Trullhalsar burial ground, which occurs there in different sizes from two to eight metres in diameter and heights between 20 and 40 centimetres. Some of them still have a rounded stone in the centre as a so-called grave ball, a special feature of Scandinavian graves from the late Iron and Viking Age.
In addition, there is a ship setting, 26 stone circles and 31 menhirs within the burial ground, which measures about 200 x 150 metres. The stone circles, also called judge's rings, have diameters between four and 15 metres. They consist partly of lying boulders and partly of vertically placed stones. About half of them have a central stone in the centre of the circle.
From 1915 to 1916, many of the graves were archaeologically examined and both graves of men and women were found. The women's graves in particular suggest that the deceased were very wealthy during their lifetime. Jewellery and weapons or food were found, and in some graves even bones of lynxes and bears. Since these animals have never been found in the wild on Gotland, it is assumed that the deceased were given the skins of these animals in their graves.