Municipal House (Obecní dům) is a civic building that houses Smetana Hall, a celebrated concert venue, in Prague. The Royal Court palace used to be located on the site of the Municipal House. From 1383 until 1485 the King of Bohemia lived in the property. After 1485, it was abandoned. It was demolished in the early 20th century. Construction of the current building started in 1905 and it opened in 1912. The building was designed by Osvald Polívka and Antonín Balšánek. The Municipal House was the location of the Czechoslovak declaration of independence.
The building is of the Art Nouveau architecture style. The building exterior has allegorical art and stucco. There is a mosaic called Homage to Prague by Karel Špillar over the entrance. On either side are allegorical sculpture groups representing The Degradation of the People and The Resurrection of the People by Ladislav Šaloun. Smetana Hall serves as a concert hall and ballroom. It has a glass dome. There is artwork by Alfons Mucha, Jan Preisler and Max Švabinský, too.
Today, the building is used as concert hall, ballroom, civic building, and as the location of cafes and restaurants. Many of the rooms in the building are closed to the public and open only for guided tours.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.