Český Krumlov Castle dates back to 1240 when the first castle was built by the Witigonen family, the main branch of the powerful Rosenberg family.
By the 17th century the Rosenbergs had died out and the dominion of Krumau was given to Hans Ulrich von Eggenberg by Emperor Ferdinand II and Eggenberg was named Duke of Krumau. After the death of Hans Ulrich's son, Johann Anton I von Eggenberg, the castle was administrated for the period between 1649 and 1664 by his widow Anna Maria.
One of her two sons, Johann Christian I von Eggenberg, was responsible for the Baroque renovations and expansions to the castle including the castle theatre now called the Eggenberg Theatre. When the male line of the Eggenbergs died out in 1717 the castle and duchy passed into the possession of the Schwarzenbergs. In 1947, the Schwarzenberg property, including Český Krumlov, was transferred to the Czech provincial properties and in 1950 it became the property of the Czechoslovak State. The entire area was declared a national monument in 1989 and in 1992 it was added to the UNESCO World Heritage List.
The castle houses the Český Krumlov Baroque Theatre, which is situated on the castle courtyard. It is one of the world's most completely preserved Baroque theatres with its original theatre building, auditorium, orchestra pit, stage, stage technology, machinery, coulisses (stage curtains), librettos, costumes etc.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.