Český Krumlov Castle dates back to 1240 when the first castle was built by the Witigonen family, the main branch of the powerful Rosenberg family.
By the 17th century the Rosenbergs had died out and the dominion of Krumau was given to Hans Ulrich von Eggenberg by Emperor Ferdinand II and Eggenberg was named Duke of Krumau. After the death of Hans Ulrich's son, Johann Anton I von Eggenberg, the castle was administrated for the period between 1649 and 1664 by his widow Anna Maria.
One of her two sons, Johann Christian I von Eggenberg, was responsible for the Baroque renovations and expansions to the castle including the castle theatre now called the Eggenberg Theatre. When the male line of the Eggenbergs died out in 1717 the castle and duchy passed into the possession of the Schwarzenbergs. In 1947, the Schwarzenberg property, including Český Krumlov, was transferred to the Czech provincial properties and in 1950 it became the property of the Czechoslovak State. The entire area was declared a national monument in 1989 and in 1992 it was added to the UNESCO World Heritage List.
The castle houses the Český Krumlov Baroque Theatre, which is situated on the castle courtyard. It is one of the world's most completely preserved Baroque theatres with its original theatre building, auditorium, orchestra pit, stage, stage technology, machinery, coulisses (stage curtains), librettos, costumes etc.References:
Zamosc was founded in the 16th century by the chancellor Jan Zamoysky on the trade route linking western and northern Europe with the Black Sea. Modelled on Italian theories of the "ideal city" and built by the architect Bernando Morando, a native of Padua, Zamosc is a perfect example of a late-16th-century Renaissance town. It has retained its original layout and fortifications and a large number of buildings that combine Italian and central European architectural traditions.
Morando organized the space within the enceinte into two distinct sections: on the west the noble residence, and on the east the town proper, laid out around three squares. To populate it, Zamysky brought in merchants of various nationalities and displayed great religious tolerance to encourage people to settle there: they included Ruthenes (Slavs of the Orthodox Church), Turks, Armenians and Jews, among others. Moreover, he endowed the town with its own academy (1595), modelled on Italian cities.
Zamość is spoken of as a Renaissance town. However, on the one hand, Morando himself must have had Mannerist training, and on the other, in all the countries of Central Europe (Poland, Bohemia, Slovakia, Hungary, certain German regions and, in part, Austria proper), Italian Renaissance architecture had been well assimilated and adapted to local traditions since the 15th century. Consequently, Zamość was planned as a town in which the Mannerist taste mingled with certain Central European urban traditions, such as the arcaded galleries that surround the squares and create a sheltered passage in front of the shops.
The modem town grew for the most part outside the fortifications, which gives the old town a great degree of coherence in its plan and architecture. Having escaped the vast destruction suffered by many other Polish towns during the Second World War, Zamosc is an outstanding example of Polish architecture and urbanism of the 16th and 17th centuries.
The UNESCO World Heritage Committee passed Zamość as a World Heritage Site in 1992.