Holašovice is an exceptionally complete and well-preserved example of a traditional central European village. It has a large number of outstanding 18th- and 19th-century vernacular buildings in a style known as South Bohemian folk Baroque, and preserves a ground plan dating from the Middle Ages. Holašovice was designated as a UNESCO World Heritage Site in 1998.
Holašovice is first mentioned in 1263. In 1292, King Wenceslaus II gave the village and several others to the Cistercian monastery of Vyšší Brod. It remained the property of the monastery until 1848.
Between 1520 and 1525, Holašovice was nearly wiped out by the bubonic plague. Only two of its inhabitants survived. A column erected over the plague grave at the north end of the village commemorates this event. The monastery gradually repopulated the village with settlers from Bavaria and Austria. By 1530, the population had risen to 17, according to the monastery's records, and it had become a mainly German-speaking enclave within the Czech language area. By 1900, there were 163 inhabitants of German ethnic origin and 1 of Czech ethnic origin.
After the displacement of German residents at the end of the Second World War, many farms in the village were deserted and fell into disrepair. Holašovice became a desolate and abandoned place under the Czech post-war Communist regime. From 1990, the village was lavishly restored and inhabited once more. It now has a population of around 140.
Holašovice consists of 23 brick farmyards containing 120 buildings, each with their gable end facing a central broad village green, with a fish pond and chapel. The buildings date from the 18th to 20th century, with most of them built in the second half of the 19th century. They are constructed in the South Bohemian Folk Baroque style. The chapel of St. John of Nepomuk in the city centre was built in 1755.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.