Château de Ferrières was built between 1855 and 1859 by Baron James de Rothschild. Rothschild ownership of the Château de Ferrières was passed down through the male line according to the rule of primogeniture. It is considered the largest and most luxurious 19th-century château in France.
The château was designed by the British architect Joseph Paxton. The inspiration for the design of Ferrières was Mentmore Towers in Buckinghamshire, England, the house Paxton built for Baron James's cousin Mayer Amschel de Rothschild.
Built in the Neo-Renaissance style inspired by architecture of the Italian Renaissance, with square towers at each corner, the house sits on a formal terrace that gives way to 1.25 km² of gardens in a parkland that was part of a surrounding 30 km² forest contained in the estate. The showpiece central hall is 37 m long and 18 m high, its roof a full glass skylight. The sculpting of the interior atlas columns and caryatids was by Charles Henri Joseph Cordier and the decorative painting supervised by Eugène Lami. The massive library held more than 8,000 volumes. Because lavish entertaining was important, in addition to the private Rothschild apartments, the Château de Ferrières was built with eighty guest suites. Ferrières was inaugurated 16 December 1862 with a gala attended by Napoleon III.
Baron James acquired a vast collection of works of art, and statues adorned a number of the château's rooms. Several of the many sculptures were by Alexandre Falguière and the 18th-century Italian, Antonio Corradini and the Baron's son later added works by René de Saint-Marceaux.
During the Franco-Prussian War of 1870-71, the Château de Ferrières was seized by the Germans and was the site of negotiations between Otto von Bismarck, Chancellor of the North German Confederation, and the French Minister of Foreign Affairs, Jules Favre. The Germans again seized the château during the occupation of France in World War II and this time, looted its vast art collections.
The château remained empty until 1959 when Guy de Rothschild and his new wife, Marie-Hélène de Zuylen van Nyeve set about refurbishing it.
From 1959, they hosted regular parties at the Château, the theme of which would be personally designed by artists or designers such as Yves Saint Laurent. Their parties would mainly consist of aristocracy, but they always included many of her friends from a wider society such as Brigitte Bardot, Grace Kelly and Audrey Hepburn.
In 1975, Guy de Rothschild and his wife donated the château to the chancellery of the University of Paris, and it is now open to the public for guided tours and special events.References:
Roman Walls of Lugo are an exceptional architectural, archaeological and constructive legacy of Roman engineering, dating from the 3rd and 4th centuries AD. The Walls are built of internal and external stone facings of slate with some granite, with a core filling of a conglomerate of slate slabs and worked stone pieces from Roman buildings, interlocked with lime mortar.
Their total length of 2117 m in the shape of an oblong rectangle occupies an area of 1.68 ha. Their height varies between 8 and 10 m, with a width of 4.2 m, reaching 7 m in some specific points. The walls still contain 85 external towers, 10 gates (five of which are original and five that were opened in modern times), four staircases and two ramps providing access to the walkway along the top of the walls, one of which is internal and the other external. Each tower contained access stairs leading from the intervallum to the wall walk of town wall, of which a total of 21 have been discovered to date.
The defences of Lugo are the most complete and best preserved example of Roman military architecture in the Western Roman Empire.
Despite the renovation work carried out, the walls conserve their original layout and the construction features associated with their defensive purpose, with walls, battlements, towers, fortifications, both modern and original gates and stairways, and a moat.
Since they were built, the walls have defined the layout and growth of the city, which was declared a Historical-Artistic Ensemble in 1973, forming a part of it and becoming an emblematic structure that can be freely accessed to walk along. The local inhabitants and visitors alike have used them as an area for enjoyment and as a part of urban life for centuries.
The fortifications were added to UNESCO"s World Heritage List in late 2000 and are a popular tourist attraction.