Grand Palais, Paris, France - SpottingHistory.com

The Grand Palais is an exhibition hall and museum complex located at the Champs-Élysées. Construction of the Grand Palais began in 1897 following the demolition of the Palais de l'Industrie (Palace of Industry) as part of the preparation works for the Universal Exposition of 1900, which also included the creation of the adjacent Petit Palais and Pont Alexandre III.

The structure was built in the style of Beaux-Arts architecture as taught by the École des Beaux-Arts of Paris. The building reflects the movement's taste for ornate decoration through its stone facades, the formality of its floor planning and the use of techniques that were innovative at the time, such as its glass vault, its structure made of iron and light steel framing, and its use of reinforced concrete.

The main space, almost 240 metres long, was constructed with an iron, steel and glass barrel-vaulted roof, making it the last of the large transparent structures inspired by London’s Crystal Palace that were necessary for large gatherings of people before the age of electricity. The main space was originally connected to the other parts of the palace along an east-west axis by a grand staircase in a style combining Classical and Art Nouveau, but the interior layout has since been somewhat modified.

The exterior of this massive palace combines an imposing Classical stone façade with a riot of Art Nouveau ironwork, and a number of allegorical statue groups including work by sculptors Paul Gasq, Camille Lefèvre, Alfred Boucher, Alphonse-Amédée Cordonnier and Raoul Verlet.

The grand inauguration took place 1 May 1900, and from the very beginning the palace was the site of different kinds of shows in addition to the intended art exhibitions. The Palais served also as a military hospital during World War I, employing local artists that had not deployed to the front to decorate hospital rooms or to make moulds for prosthetic limbs.

The Nazis put the Palais to use during the Occupation of France in World War II. First used as a truck depot, the Palais then housed two Nazi propaganda exhibitions. The Parisian resistance used the Grand Palais as a headquarters during the Liberation of Paris. On 23 August 1944 an advancing German column was fired upon from a window on the Avenue de Sèlves, and the Germans responded with a tank attack upon the Palais. The attack ignited hay that was set up for a circus show, and over the next 48 hours, thick black smoke from the fire caused serious damage to the building.

References:

Wikipedia

User Reviews

Vivek Khare (9 months ago)
Museum with different sections. More than a day is required to enjoy it in full.

Emilie Bisnaire (11 months ago)
Definitely one of a must do in Paris. They always have amazing exhibitions going on and the building itself is absolutely magnificent! During winter, the interior of the Grand Palais turns into a fun skating ring! The grand palais is also well located if you want to visit some other monuments such as the petit palais and le parc des invalides.

Jochem Geerts (11 months ago)
The Pompeii expo was interesting in of itself but is was horribly organized. There were way to many people in a way too small room, we booked at 17:00 but had to wait a while to get in. The waiting was not like in, say the Louvre and we had to literally wait for others to clear out. Instead of starting to clear out of the room twenty to thirty minutes beforehand they did the moment we had booked our visit.

ananda lekshmi (11 months ago)
One of the kid friendly and entertaining museums in Paris. They have a bigger version of the science museum which families shudnt miss. This one is small and the planetarium had shows forwhich you need to book beforehand for admission

Mick Catala (11 months ago)
#COVID trap. Despite the fact that you buy tickets in advance. Despite the fact that they have people controlling the people present: You are sardined into a small space and physical distancing is impossible. The exhibition is small, mostly based on recent excavations and two buildings, Orion House and Garden House. Nice to see but nothing to write home about.

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Historic Site of the week

Trinity Sergius Lavra

The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.

The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.

Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.

In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.

The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.

In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.

After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.

In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.

Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.

In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.

In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.

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