The Château de Dampierre was built by Jules Hardouin-Mansart in 1675–1683 for the duc de Chevreuse in French Baroque style. Protected behind fine wrought iron double gates, the main block and its outbuildings, linked by balustrades, are ranged symmetrically around a dry paved and gravelled cour d'honneur (three-sided courtyard). Behind, the central axis is extended between the former parterres, now mown hay. The park with formally shaped water was laid out by André Le Nôtre. There are sumptuous interiors.
The grande galerie was reconstructed for the amateur archaeologist and collector, Honoré Théodore Paul Joseph d'Albert, duc de Luynes, under the direction of antiquarian architect Félix Duban. Sculptor Pierre-Charles Simart contributed Hellenic friezes and reliefs for the project. Ingres' Age of Gold remains as testament to the abortive project of decorating it in fresco, not Ingres' habitual medium.
The park, which lost many trees in the storm of 26 December 1999, offers a formal canal and an eighteenth-century garden folly.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.