The Château du Verduron owes its original fame to Louis Blouin, who held the prominent position of head valet in the court of Louis XIV of France from 1704 until 1715. Other distinguished owners of the property included Victorien Sardou, the French dramatist and one-time mayor of the Parisian suburb of Marly-le-Roi.
The history of this property is rich and complex. In the Middle Ages, the current site of the Château du Verduron was occupied by the lords of the Montmorency family. The property passed through a succession of owners.
Prior to 1726, the property was occupied by the daughter of Léon Bierry and her husband, named Fresson, who was an attorney serving in the parliament of Versailles. The couple apparently made substantial additions to the existing property. In 1722, Fresson’s heirs sold the domain to César-Pierre Landais de Soisel, Louis XIV’s councilor and secretary. He in turn provided a lifetime lease on the property to Blouin in 1726.
Details of the architectural history of the Château du Verduron are also somewhat unclear. The original core of the building dates from 1665, and is attributed to a certain Guillaume, a well-off Parisian. This original structure was initially modified when occupied by the Fressons.
Initially a simple one-story structure, it passed through a succession of owners following its original construction. In the early 2000s, it was purchased by SCI Le Verduron. The company commissioned COGEMAD to completely restore the building.
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The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.