A fortified château in Chamarande was built in the 16th century, probably for François Hurault, who in 1563 acquired the two seigneuries which make up the present estate and took up residence here. This castle corresponds to the present buildings of the commanderie. After the death of François Hurault in 1613, the château passed to his son Jean, who expanded the estate.
However, the château suffered in the Fronde and was in a poor state by the time it was sold in 1654 to Pierre Mérault. He built the present castle. Its design was formerly attributed to François Mansart without corroborating documentary evidence, but is now attributed to Nicolas de l'Espine. A rectangular building surrounded by a moat forms the living quarters, flanked on either side by the service wings The entrance to the main courtyard is flanked by two pavilions, with the left one containing the chapel.
In debt, Pierre Mérault sold the estate in 1684 to Clair Gilbert d'Ornaison known as Chamarande. The year after the sale, Louis promoted Bonnes into the 'county of Charamande' by letters patent. At d'Ornaison's death in 1737, the château passed to his first cousin and heir, Louis de Talaru, marquis de Chalmazel. The architect Pierre Contant d'Ivry worked on the château for de Talaru, building new service quarters beyond the secondary route near the village, and to the estate added an orangery, a belvédère, an oval bosquet and a cascatelle. He demolished the wall of the courtyard along the moat and put an ironwork gate with two lampholders in front of the bridge. He also modernised the interior decor.
In the 1780s, a water feature was added, with an island bordered by bald cypresses from Louisiana at its centre - it is traditionally attributed to the painter and garden designer Hubert Robert. After the French Revolution, Louis-Justin, marquis de Talaru, bought the estate under the Consulate and carried out repairs, redesigning the park in English style. Mayor of Chamarande, he lived at the Château until his death in 1850.
In 1852, the estate was sold to Pierre and René Robineau, and in 1857 it became the property of Victor Fialin, interior minister to Napoléon III and French ambassador to the United Kingdom. He created a luxuriously-furnished gallery on the château's ground floor, built a fortified wall round the estate, completed the transformation of the park and planted exotic trees. New service buildings were added: a farm, stables, a bergerie, a birdhouse, a kennel, a new icehouse and a winter garden. Near the new gate was placed an obelisk inspired by the Songe de Poliphile, which probably referred to the love-affairs of Henry II with Diane de Poitiers.
In 1876, the château was acquired by Aristide Boucicaut, founder of Bon Marché, who added a Renaissance-style dining room but died only a year after purchasing the château. From 1923 to 1951, the château was central to the creation of Scouting in France. In 1957, the last private owner was Auguste Mione, before the estate was bought in 1978, by the General Council of the Essonne.
In 2001, a contemporary art centre was set up at Chamarande at the instigation of Dominique Marchès. In season, from May to October, the centre hosts story-telling, music, dance and film festivals as well as gardening and heritage events in the park.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.