The château du Saussay is built on the ruins of a 15th-century feudal castle, and is a rare collection of two 18th-century châteaux facing each other at the entrance to a Romantic park surrounded by water. Inside, their reception rooms evoke the lives of their inhabitants.
The property of Olivier Le Daim, barber to the French kings from Louis XI to Louis XV, the château was burned by the Spanish during the Wars of Religion.
The owner obtained permission from Henry IV by letters patent to surround the château with water. He then rebuilt the château in the brick-and-stone style. The property of Me de Gaumont, a member of parliament, it was handed down by the women of the Bragelongne family, by Canclaux and finally Colbert at the start of the 19th century.
In 1735 a pavilion - identical in appearance to the original château - was built facing it, to give the appearance (surviving to this day) of two châteaux opening onto a park. Just before the French Revolution, the entry building and raised bridge were demolished and replaced with two elegant pavilions in the style of the architect Nicolas Ledoux (end of the 18th century). In the 19th century the Colberts doubled the size of the main pavilion and endowed the château with a magnificent library.
At the start of the 20th century, the château passed to the Bourbon Busset family, and the park was redesigned by the great landscape artist Achille Duchêne, joining the charm of parks in the English style with classical harmony of gardens in the French style. His redesigned park was made up of three perspectives, several water features, and lawns framed with topiary or planted with rare trees. The académicien Jacques de Bourbon Busset lived in this château, where his children, grandchildren and great-grandchildren still live today.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.