The East Bohemian Museum was designed by Jan Kotěra, a prominent Czech architect in 1909-1912. Kotěra's initial design, presented in 1907, was criticized for its exaggerated decoration and luxurious design. Moreover, the city did not have sufficient funds for such a grandiose design. Consequently, Kotěra created a new design that was finished in 1908.
The museum is modeled on a classic temple. As far as the decoration is concerned, the entrance is decorated by two sculptures next to the entrance door. These female figures are said to be an allegory of History and Industry. These two are accompanied by a third figure made from bronze. This one is supposed to be a young František Ulrich who became a mayor of Hradec Králové at the age of 36. Although he was young, people hoped that he would lead the city to progress.
Kotěra also designed the interior of the museum as well. Visitors can see furniture in the director’s office, a library, seats made by Thonet Company and wood linings in the lecture hall, lighting and a fountain in front of the main entrance to the museum. The museum interiors are designed in the functionalist style.
The building of the East Bohemia Museum was awaited with mixed feeling of the whole public. Kotěra was known as a young and progressive architect and he confirmed this statement in his works. The asymmetrical design of the building was rejected by Kotěra's teacher, Otto Wagner, but Kotěra prevailed.
In 1995 the building was declared as a national cultural monument and was extensively reconstructed in 1999-2002.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.