The Basilica of St. James was built in the 13th century for the Franciscans presbytery. It was built in the Gothic architecture style. The foundation of this church is related to the acquisition of the relics of Ottokar I of Bohemia. The exact location of this original church and it appearance are not known. The church was destroyed in a fire in 1689. The fire is believed to have been started by people working for Louis XIV of France.
The basilica was rebuilt in Baroque architecture style. The rebuilding included the addition of over 20 altars. Artists such as Jan Jiří Heinsch, Václav Vavřinec Reiner, and Petr Brandl created paintings for the altars. In 1702, an organ was installed. In 1974 the church was granted the honorary title of Minor basilica by Pope Paul VI.
The church is the final resting place for Count Vratislav of Mitrovice. He was accidentally buried alive in the tomb. The tomb was created by Johann Bernhard Fischer von Erlach. There is also a mummified forearm to the right of the tomb entrance, dating back over 400 years. The arm is the arm of a jewel thief who tried to steal from the high altar, which has a statue of the Virgin Mary. It is believed that when the thief tried to steal the jewels, Mary grabbed his arm and would not let go, therefore his arm was cut off by monks.
The original organ, dating from 1705, is the work of famous Czech organist Abraham Starka of Loket. Over the centuries the organ underwent changes. In 1754 the first reconstruction took place by František Katzer. Again this took place in 1906 by Josef Černý and Josef Rejna. Another intervention took place in 1941. The organ then was adapted for modern composition. The last major reconstruction was carried between 1981-82 where Starka's original sounds were restored, for the most part with the original pipes, and preserved many interesting romantic colours.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.