Krásný Dvůr is a Baroque palace with English-style landscape park and a garden inspired by that of Versailles. The first records of Krasný Dvůr date back to the 14th century, since then numerous aristocratic families held possession of it until Count Hermann Czernin von und zu Chudenitz bought it in the middle of the 17th century. Count Franz Josef Czernin von und zu Chudenitz decided to start an extensive reconstruction on a Renaissance villa built on the site of a Gothic stronghold originally constructed by Jan Maštovský of Kolovraty at the end of the 16th century.
The reconstruction project was undertaken by well-known Czech architect František Maxmilián Kaňka and was distinctly influenced by the French architecture; construction went on between 1720 and 1724. Some alterations of Chateau buildings were made at the end of the 18th century; in 1783 the chapel was erected, in 1791–92 two-pair staircases were built in the court and in the northern garden and ground arcades were walled at the same time.
Eighteen rooms and lobby galleries are open to the public. Excellent and very valuable paintings of Czech and European artists are installed here (some of the most well-known being Petr Brandl, Karel Škréta, Ludvík Kohl, Josef Bergler, Filip Kristian Benthum, Kristian Brand, Élisabeth Vigée-Lebrun and a number of others), and a number of graphic arts, porcelain, china, glass, earthenware, clocks, original Adam fireplaces, furniture and other samples of historical craftsmen's skills are to be seen. Some thematic collections are also remarkable (e.g. an extensive Baroque pictorial anthology of dog-portrayals by artist Petr Václav.
The park in Krásný Dvůr, the area of which amounts to 1.0 km2, was founded in 1783–1793 by Johann Rudolf Czernin von und zu Chudenitz. He was influenced partly by his botanic inclinations and then also by his journey around Western Europe, which he undertook in 1779. In those days a new park trend had begun expanding into Europe from England. Natural scenery was to be brought into the very neighbourhood of buildings according to this trend. The principle of the landscape park is based directly on the condition of a natural landscape, not an artificially man-made one. The Chateau Park on Krásný Dvůr is true evidence of this school of thought. In accordance with taste of those days it was brightened with a number of Romantic buildings enriching vacant fields or closing various vistas of park scenes.
From the dendrological point of view you can find more than one hundred species of trees in the park, and entirely domestic or domesticated species only. A number of ancient oaks, beeches, limes, horse chestnuts, plane trees, maples and alders grow there. The most important of them is the so-called Goethe's oak (today already only a torso), the age of which is estimated at 1,000 years, which ranks it among the oldest trees in the Czech Republic. Deeper in the park we find Pan's-Temple, the Obelisk, the Vantage Pavilion, Goethe's Pavilion, a memorial plaque with the engraved names of important people who have visited the park, a hermitage, a grotto with a sarcophagus and other interesting objects. The so-called French garden, situated behind the eastern part of the Chateau, is also of note. Its parterre is solved with a pond and grassy areas, which are embellished with large yew-trees and smaller box-trees.
References:The Villa d'Este is a 16th-century villa in Tivoli, near Rome, famous for its terraced hillside Italian Renaissance garden and especially for its profusion of fountains: the extraordinary system contains fifty-one fountains and nymphaeums, 398 spouts, 364 water jets, 64 waterfalls, and 220 basins, fed by 875 meters of canals, channels and cascades, and all working entirely by the force of gravity, without pumps. It is now an Italian state museum, and is listed as a UNESCO world heritage site.
Tivoli had been a popular summer residence since ancient Roman times due to its altitude, cooler temperatures and its proximity to the Villa Hadriana, the summer residence of the Emperor Hadrian I.
The Villa was commissioned by Cardinal Ippolito II d'Este (1509-1572), second son of Alfonso I d'Este, the Duke of Ferrara and grandson of Pope Alexander VI, along with Lucrezia Borgia.