St. Peter's Cathedral in Osnabrück is a late Romanesque building and dominates the city's skyline. The first version of St. Peter's Cathedral was built in the year 785, 15 years after the diocese was founded by Charlemagne. The Normans destroyed the church 100 years later, and the present version of the church developed only gradually after a fire around 1100.
The oldest parts of the present-day church are the Romanesque crossing tower, the northern facade and the Romanesque-Gothic west facade. The dome in the middle part of the three-aisled nave is as high as the pillars on which it rests.
The oldest pieces of equipment that have survived to this day are the baptismal font from 1220 and the triumphal cross from 1230. The broken rood screen from 1664 has also survived. Twelve statues received from the Münster sculptor Heinrich Brabender remain preserved to this day, including figures of the Christ and of the Apostles, and also a smaller number of statues received from Duke Erich II of Saxe-Lauenburg, Bishop of Münster. These are on display at the Diocesan Museum of Osnabrück.
Over the centuries, the cathedral changed in appearance - the interior primarily during the Baroque period, to which the altars, figures, and epitaphs bear testimony, and the exterior during the major restoration in 1882-1910 under Alexander Behnes through renovations and building of annexes. During the Second World War the cathedral roof with baroque domes and some church annexes were destroyed by incendiary bombs. The cathedral has since been rebuilt and is still a major attraction for the Christians of the city and the diocese as well as people interested in art history from around the world. The Osnabrück Wheel, which on September 13, 1944 fell from the larger of the towers due to bombing, has been re-erected at the side of the cathedral.
The cloister is attached to the church at south of the nave. It has open pillar-arcades on the remaining three sides. Cushion capitals, which correspond to those in the former west choir of 1140, are present in the east wing. The barrel vault in the eastern part of the cloister features lunettes but no belt bows; the vaults in the south and west wings are supported by belt bows and ogival arches (built in the second quarter of the 13th century). During the Second World War the cloister, which had been walled towards the courtyard, served as an air raid shelter.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.