Pleterje Charterhouse is the only extant monastery of Carthusian order in Slovenia. The monastery was founded in 1403 by Count Hermann II of Celje, and its construction completed by 1407. In 1471 an Ottoman raid destroyed the buildings, which were reconstructed in a much stronger and more easily defensible manner.
After a long period of decline Archduke Ferdinand II of Inner Austria gave the monastery in 1595 to the Jesuits of Ljubljana. When the Jesuits were suppressed in 1772, Pleterje became state property. In 1839 it passed into private hands.
In 1899 the Carthusians reacquired the site and began construction of a new monastery, which was completed five years later. During World War II the charterhouse suffered severe damage when in 1943 it was set on fire by Communist partisans.
The charterhouse has remained a Carthusian monastery to this day. The buildings date from the second foundation in the late 19th century, except for the Gothic church, dedicated to the Holy Trinity, which survives from the earlier monastery.
The monks cultivate 30 hectares of land, mostly for fruit and honey, which they sell, and from which they also produce wine, fruit spirits (especially pear brandy), mead and beeswax candles.
The monastery accommodates a display of items from the collections of the Dolenjska Museum of local history, and on part of its lands stands the Pleterje Charterhouse Open Air Museum of typical Slovenian buildings. The paintings date from the 17th and 18th centuries, and are attributed to Flemish, French, Italian and German artists. They seem mostly to have reached Pleterje with refugee monks from Bosserville Charterhouse in Lorraine, who were given shelter in Pleterje in 1904.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.